Collection by Geo
Wooten anchored the kitchen with a faux-bois coatrack from France. “Since Greg’s furniture is predominantly wood, we chose to make the interior all wood,” says Massie. “We used laser-cut mahogany and cherry plywood with jigsaw edges to make the house more like a cabin—albeit a very modern one. This puzzle piece motif is something that I’ve done in every project before and after this one—it’s a different way of having surfaces come together without having to abide by a modernist rule of panels. We can snap the whole thing together with eccentric uniformity, and it’s really simple.”
For one of two sleeping areas flanking the main living space, Wooten placed tatami from Miya Shoji on the cork floor. “With the radiant heating system, it’s fantastic to be in this glass box looking out at a blizzard, walking barefoot on the warm floor,” he says. “Tatami are not for everyone, but they are really comfy to me. Before we built the house, I stayed at a traditional bed-and-breakfast in Kyoto, Japan, and had one of the best nights of sleep ever, so I decided I wanted to do that style of bed. On top is a 150-year-old Japanese denim patchwork quilt I bought from a friend who took me to Japan. I’ve always admired Japanese design—Noguchi is one of my favorites—so I was inspired to have that spirit in the house.” miyashoji.com