Loft

“What often happens in our relationship is I come to Funn with an idea and he makes it into something livable.” —Vincent Kartheiser

He worked with Kartheiser’s existing appliances in the kitchen, trading the old cabinetry for new teak.

In the living area of actor Vincent Kartheiser’s Hollywood cabin, redesigned by Funn Roberts to maximize every last inch of space, an Eames lounge chair and ottoman mix with a couch and coffee table by Cisco Home from HD Buttercup. The table in the main room is from West Elm.

When not in use as the headboard, the large redwood slab folds down to become a desk.

The storage unit continues in the living room, marked by a Tiki sofa by local design company Fogia. NOTE designed the stool as well as the coffee table, which was created for the French brand La Chance as part of a series called Zorro.

A finished attic can be the perfect spot for a private—and quiet—home office.

Designer in Brooklyn, New York "The pieces in the space are a combination of industrial reclaimed finds and bespoke, often both in the same item. The cabinets were a vintage medical find, powder-coated and set up on welded stilts. The mirror was commissioned from Made In Chinatown. Ceiling color and texture came through lots of trial and error in order to avoid the heavily toxic and arduous process normally involved in staining concrete. The mezzanine sign which marks the space was acquired through a long chain of inside jokes from a friend—I'm still unsure exactly of its origins, possibly the bygone New York Subway signage system."

Designer Paola Navone transformed a 200-year-old factory in Umbria into an inviting home for Andrea Falkner-Campi and her husband. Once a tobacco-drying plant, and before that a silkworm farm, the home sits 90 miles north of Rome.

Connected to the kitchen by a flight of stairs, the bar features cohesive custom fittings and furniture by Eginstill. Each living area flows freely into the next, in effort to “make the space as open as possible, just like it used to be when it was a sugar refinery” says van Hulzen. “We wanted to [return] the building to its old glory.”