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Collection by Chris Pohlar

Lake House Inspiration

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A Carrara marble backsplash adds cool contrast and a sense of drama when set against the custom oiled-steel black cabinetry in the renovation of the kitchen in this A. Quincy Jones home in Los Angeles.
A Carrara marble backsplash adds cool contrast and a sense of drama when set against the custom oiled-steel black cabinetry in the renovation of the kitchen in this A. Quincy Jones home in Los Angeles.
The long gangplank of a deck runs right out into the fields, a fact that Treanor relishes.
The long gangplank of a deck runs right out into the fields, a fact that Treanor relishes.
A close-up of the renovated exterior shows the home's new, brightly-colored door in relief of the new kitchen window, whose floating shelves are just visible. Selected by Sloan Houser, the door's shade of turquiose is similar to Benjamin Moore's Americana, although with stronger hints of green.
A close-up of the renovated exterior shows the home's new, brightly-colored door in relief of the new kitchen window, whose floating shelves are just visible. Selected by Sloan Houser, the door's shade of turquiose is similar to Benjamin Moore's Americana, although with stronger hints of green.
The renovated home maintains its original layout. To refresh the dated appearance of the space, Stonefox added cedar tongue-and-groove panels to the ceiling and refinished the floors. The living room rug is from Creative Matters, the WL Daybed is from Niedermaier, and the circular coffee table is a Tie and Die model from Holly Hunt.
The renovated home maintains its original layout. To refresh the dated appearance of the space, Stonefox added cedar tongue-and-groove panels to the ceiling and refinished the floors. The living room rug is from Creative Matters, the WL Daybed is from Niedermaier, and the circular coffee table is a Tie and Die model from Holly Hunt.
The light fixtures, a string of dangling lights seen above the dining table, emulate what SHED Architects principal Thomas Schaer calls Zema’s “builderly” style: straightforward and unpretentious. The wooden screens, seen top right, are all-new to the house but follow Zema’s Japanese-inspired style.
The light fixtures, a string of dangling lights seen above the dining table, emulate what SHED Architects principal Thomas Schaer calls Zema’s “builderly” style: straightforward and unpretentious. The wooden screens, seen top right, are all-new to the house but follow Zema’s Japanese-inspired style.
This midcentury gem lays in Crestwood Hills, in the Brentwood neighborhood of Los Angeles, an endangered enclave of midcentury post-and-beam houses designed by A. Quincy Jones and Whitney R. Smith. Elise Loehnen and Rob Fissmer bought their house, which dates to 1950, in 2012, furnishing the living room with a Jasper sofa by Room & Board, Laccio tables by Marcel Breuer, and a wool sisal rug from Madison Flooring and Design.
This midcentury gem lays in Crestwood Hills, in the Brentwood neighborhood of Los Angeles, an endangered enclave of midcentury post-and-beam houses designed by A. Quincy Jones and Whitney R. Smith. Elise Loehnen and Rob Fissmer bought their house, which dates to 1950, in 2012, furnishing the living room with a Jasper sofa by Room & Board, Laccio tables by Marcel Breuer, and a wool sisal rug from Madison Flooring and Design.
After searching for the perfect plot of land on which to build their dream home, a couple instead opted to purchase a "Rummer" home -- a typical example of a low-key midcentury modernist house constructed by a local developer, Robert Rummer, in the 1960s. The five-bedroom, 2,400-square-foot post-and-beam house was strongly reminiscent of California Eichlers, and exemplified the couple’s ideal layout, but was in serious need of a major renovation. The revamp maintained the great expanses of glass, wide-open interiors, and indoor-outdoor living, and added new white concrete floors installed, fixed the radiant heating, updated the kitchen and bathrooms, and new landscaping.
After searching for the perfect plot of land on which to build their dream home, a couple instead opted to purchase a "Rummer" home -- a typical example of a low-key midcentury modernist house constructed by a local developer, Robert Rummer, in the 1960s. The five-bedroom, 2,400-square-foot post-and-beam house was strongly reminiscent of California Eichlers, and exemplified the couple’s ideal layout, but was in serious need of a major renovation. The revamp maintained the great expanses of glass, wide-open interiors, and indoor-outdoor living, and added new white concrete floors installed, fixed the radiant heating, updated the kitchen and bathrooms, and new landscaping.
Usha and Mike Kreaden had a virtually blank slate when it came to the garden outside the 1958 Joseph Eichler house that they bought in Silicon Valley two decades ago.
Usha and Mike Kreaden had a virtually blank slate when it came to the garden outside the 1958 Joseph Eichler house that they bought in Silicon Valley two decades ago.
From its locally quarried stone foundation to its zinc-coated copper roof, the cottage was inspired by its surroundings. “We talked a lot with our client about what the materiality would be,” says architect Karen Stonely, who, citing the organic style of Bar Harbor architect Robert Patterson, designed the structure with wood rather than drywall.
From its locally quarried stone foundation to its zinc-coated copper roof, the cottage was inspired by its surroundings. “We talked a lot with our client about what the materiality would be,” says architect Karen Stonely, who, citing the organic style of Bar Harbor architect Robert Patterson, designed the structure with wood rather than drywall.
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