Collection by Andrea Smith
To increase the illusion of space, the architect raised the ceiling height and installed window treatments that let in plenty of light. “The singular use of [pine wood] also enhances the perception of space and provides dual cost-benefits,” Cousins says. “Plywood is affordable and readily available, and much of the joinery was designed to be constructed by a carpenter, further minimizing construction costs.”
In the living room, spare Scandinavian design takes center stage. Hans Wegner’s Wishbone chairs surround an Essay dining table by Cecilie Manz for Fritz Hansen; a mostly wood palette is enhanced by slate-gray brick around the fireplace. The paper lanterns throughout the home are a mixture of classics by Isamu Noguchi alongside those picked up in Japan and France.
Tom Dixon pendant lamps hang above a steel-and-marble dining table by Chris Connell topped by Kate Hume vases and surrounded by painted Thonet chairs. The wood-veneer cabinetry in the adjacent kitchen complements the rich Grigio Carnico marble on the island and backsplash. “The kitchen has a deliberately dark palette,” James says.