Collection by Liz Arnold

Pay Attention in History Class and Design like the Masters

Take a lesson from these collaborations between academic institutions and design greats.

Fritz Flötotto 

The Formsitz chair, developed by the company Flötotto for German schools in 1956, features a patented seat made of “pagwood”: beech veneers soaked in resins and treated to develop characteristics of plastic. (A contemporary polypropylene version of Fritz Flötotto’s original chair was designed for the company in 2012 by Konstantin Grcic.) For efficient classroom sweeping, the Formsitz chair slides into brackets on the underside of the corresponding wood desk, also from 1956.
Fritz Flötotto The Formsitz chair, developed by the company Flötotto for German schools in 1956, features a patented seat made of “pagwood”: beech veneers soaked in resins and treated to develop characteristics of plastic. (A contemporary polypropylene version of Fritz Flötotto’s original chair was designed for the company in 2012 by Konstantin Grcic.) For efficient classroom sweeping, the Formsitz chair slides into brackets on the underside of the corresponding wood desk, also from 1956.
Eero Saarinen 

The junior Saarinen’s debut as a furniture designer—at age 20—came with a commission for most of the furnishings at Cranbrook’s Kingswood Middle School for Girls in Michigan. (His father, Eliel, designed the campus.) His 1930 auditorium armchair, made of tubular chromed steel and wood with light-green woven upholstery, has a cantilevered seat, like Mies van der Rohe’s Brno chair from the same year.
Eero Saarinen The junior Saarinen’s debut as a furniture designer—at age 20—came with a commission for most of the furnishings at Cranbrook’s Kingswood Middle School for Girls in Michigan. (His father, Eliel, designed the campus.) His 1930 auditorium armchair, made of tubular chromed steel and wood with light-green woven upholstery, has a cantilevered seat, like Mies van der Rohe’s Brno chair from the same year.
Robin and Lucienne Day 

Churchill College at the University of Cambridge commissioned Robin Day for the first time in 1962 for dining room furniture. The results yielded additional projects for himself and his wife, Lucienne, a textile designer. Robin’s black leather Club settees and armchairs and black vinyl–covered Interplan desks and tables still outfit the Senior Combination Room today.
Robin and Lucienne Day Churchill College at the University of Cambridge commissioned Robin Day for the first time in 1962 for dining room furniture. The results yielded additional projects for himself and his wife, Lucienne, a textile designer. Robin’s black leather Club settees and armchairs and black vinyl–covered Interplan desks and tables still outfit the Senior Combination Room today.
Marcel Breuer 

Some of Marcel Breuer’s earlier experiments found a home in his 1938 commission from Bryn Mawr College—just as students found a home in the newly built Rhoads Hall, outfitted with desks, chairs, dressers, mirrors, and bookshelves of his design. The L-shaped chair, for example, continued Breuer’s experiments with cutout plywood.
Marcel Breuer Some of Marcel Breuer’s earlier experiments found a home in his 1938 commission from Bryn Mawr College—just as students found a home in the newly built Rhoads Hall, outfitted with desks, chairs, dressers, mirrors, and bookshelves of his design. The L-shaped chair, for example, continued Breuer’s experiments with cutout plywood.
Today’s classrooms have begun using flexible furniture systems for active learning. The mobile Node chair by Thomas Overthun and IDEO for Steelcase sports a height-adjustable seat, a storage base, and a southpaw-friendly swiveling work surface
Today’s classrooms have begun using flexible furniture systems for active learning. The mobile Node chair by Thomas Overthun and IDEO for Steelcase sports a height-adjustable seat, a storage base, and a southpaw-friendly swiveling work surface