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Collection by Olivia Martin

Counting Sheep

Whether faux or for real, sheepskin and fur are modernists’ favorite fuzzy accessories.

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Leen and Middendorp’s living space is peppered with an assortment of objects and textures, including sheep’s wool, an antique French farmhouse table, salvaged chairs, a Glo-Ball light by Jasper Morrison for Flos, and an Axel leather sofa by Gijs Papavoine for Montis.
Leen and Middendorp’s living space is peppered with an assortment of objects and textures, including sheep’s wool, an antique French farmhouse table, salvaged chairs, a Glo-Ball light by Jasper Morrison for Flos, and an Axel leather sofa by Gijs Papavoine for Montis.
We got these Beroia chairs in an auction in the Catskills in a barn for practically nothing, we were the only one betting on them. We use them all the time; there is no furniture that we don't use. That's the rule. -Sophie Demenge
We got these Beroia chairs in an auction in the Catskills in a barn for practically nothing, we were the only one betting on them. We use them all the time; there is no furniture that we don't use. That's the rule. -Sophie Demenge
Barbara Hill's Dancehall/House in Marfa, Texas September 14, 2010 Misty Keasle
Barbara Hill's Dancehall/House in Marfa, Texas September 14, 2010 Misty Keasle
Platner designed his own house in Guilford, Connecticut, in 1970, as a set of pavilions centered on a great room. At the center of the great room was a fur-covered sofa surrounded by more furniture, in tones of taupe and tan, of Platner’s own design.
Platner designed his own house in Guilford, Connecticut, in 1970, as a set of pavilions centered on a great room. At the center of the great room was a fur-covered sofa surrounded by more furniture, in tones of taupe and tan, of Platner’s own design.
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