Modern in the City of Roses
2 of 8
To brighten the kitchen, which was once the darkest room, Watson and Tschopp decided on a glossy white finish, painted directly on the same rough-cut cedar paneling used throughout the house. This maintains the consistency of materials and texture, while reflecting light and enhancing the natural illumination. Stainless steel appliances and vintage bronze hardware add luster. Super White semigloss (walls) and Old Pick Up Blue (ceilings) are by Benjamin Moore.
