Collection by Anne Catherine Bowcutt, Broker
114 OH Tatami
Although Wakebayashi is not a professional Noh actor, he performs in front of an audience once or twice a year. For these performances, his preparation goes beyond memorizing lyrics and choreography—he sometimes even visits temples and locations where the story is set. “I need to understand the contents of the Noh play, which is how the main character feels, and the background of the story including history,” says Wakebayashi.
The home’s Noh stage is constructed of hinoki cypress. On the back wall, Kagami-ita—which literally translates to “mirror board”—is a polished board on which the sacred pine tree is depicted. “It serves as an echo board for the sound on the stage, and is known as the large pine tree that first catches the eye upon entering the Noh theater,” says architect Takanori Maita.









