No one image dominates my collection, but rather they are in dialog with each other so that each time one concept begins to settle it dislodges the next. It is through this juxtaposition and friction of media and concepts that each piece and my work as a whole becomes coherent. My work uses image/text, factual/poetic, and personal/scientific frameworks to depict my personal narrative. It is in the intersections and relationships that the stories are formed. The work is about expanding out of my history, not collapsing in on it.