In the Lithuanian capital of Vilnius, architect Rytis Mikulionis spent several years property hunting for his first nesting ground and finally ended up inside a former Soviet army barrack, which was, before that, a building on the grounds of a Baroque palace. He chose sconces to hang in front of the living room niche.
Jean-Christophe Aumas outfitted a vintage steel-frame sofa by George Nelson in navy blue fabric from Kvadrat and hung one of his own photos just above it. The lamp to the left of the sofa is a 1960s design found at a Lisbon flea market, and to the right of the sofa is a Two-Arms rotating sconce by the mid-century French designer Serge Mouille.
Designer Omer Arbel's “14” sconces spot the wall to ethereal effect in the master bedroom. “I wanted this place to be habitable. One of my greatest criticisms of modern architecture is that it often forgets to make things cozy.”
In the master bedroom, the designers installed Tolomeo wall sconces by Artemide next to the bed and placed a bench next to the door made by Hart's uncle, Peter Czuk of Czuk Studio. The bedroom door, which is rarely closed, is the starting point for the continuous flow of movement and light from the top of the house to the main level and down to the bottom floor.