Living in Laos

In August 2008 I moved with my family to Laos for a year. We wanted to give our children—and ourselves—a break from American, or Western culture, and experience something new and different. And different we found: in Vientiane, capital of Laos. While there, what impressed me most as a photographer was how Vientiane is like a living museum of vernacular architecture that reflects its colonial history—the French, but also the American and Soviet. I also got the sense that the city was going to change tremendously over the next decade. Like in neighboring China, older buildings would get destroyed to make way for the ubiquitous glass towers. I wanted to photograph these buildings to keep a record of this history.
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When the French arrived in Vientiane in the late 1800s they found the ruins of a couple of temples and jungle everywhere. During French colonial rule, roughly the first half of the 20th Century, the city was built along the banks of the Mekong River. With the defeat of the French in Vietnam in the mid 1950’s and the region becoming strategically important to the Americans, Vientiane experienced a shift of tides. The influx of foreign aid through the USAID agency helped create a construction boom of sorts; administration buildings, schools and "villas" for the wealthy and foreigners. In the 60’s and 70’s, as Laos was drawn into the Vietnam war much of it’s countryside was bombed—Laos is known as the most heavily bombed nation per capita in the history of warfare. With the victory of the Pathet Lao (Land of Lao) in 1975, a communist political movement similar to the Viet Minh (and later Viet Cong) of Vietnam, all new construction ceased and one third of its population fled to exile. Being a new socialist country the Lao looked to the Soviet Union for aid. The 1980s brought new growth with the presence of some 1,500 Soviet technicians and advisors. As the Soviet Union fell apart at the end of the 1980’s, Laos began to reorient itself towards developing better relations with its southeast Asian neighbors as well as China.

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Marc Henrich
Marc Henrich is a San Francisco photographer and filmmaker. He uses photography as a tool for simultaneously creating a dialogue around, and a meditation upon, urban and natural landscapes.

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