The 2010 LA Modernism Show

written by:
photos by:
May 1, 2010

The opening night of the Los Angeles Modernism Show, held for the first time at Barker Hangar at the Santa Monica Airport, was defined by intriguing pieces by both modern favorites and less-known—even anonymous—designers. There were happy discoveries, specifically, chairs by French designer Maria Pergay and Italian designer Gigi Radice. The 1970s made a strong showing this year, with macramé and clay sculptures mixed in with wood, chrome and steel pieces. Standouts included a Tony Duquette starburst sculpture from 1974, Le Corbusier chairs re-envisioned in concrete and rebar, and a complete 1960 prototype Holiday House trailer parked right outside. The show runs through Sunday, May 2.
 

Read Full Article
  • 
  The original showroom model for the Holiday House trailer, designed in 1960 for David H. Holmes, half of the Harry & David fruit company, by automotive designer Charles Pelly. From Designing LA.  Photo by: Erika Heet
    The original showroom model for the Holiday House trailer, designed in 1960 for David H. Holmes, half of the Harry & David fruit company, by automotive designer Charles Pelly. From Designing LA.

    Photo by: Erika Heet

  • 
  Frank Gehry prototype Masonite-and-cardboard Easy Edges chairs, 1968–69. "These were so celebrated, so quickly, Gehry was afraid he would be pigeonholed as a furniture designer rather than an architect," says Sam Kaufman. "He deliberately stopped making them, and production ceased in 1974—that was it." From Sam Kaufman.  Photo by: Erika Heet
    Frank Gehry prototype Masonite-and-cardboard Easy Edges chairs, 1968–69. "These were so celebrated, so quickly, Gehry was afraid he would be pigeonholed as a furniture designer rather than an architect," says Sam Kaufman. "He deliberately stopped making them, and production ceased in 1974—that was it." From Sam Kaufman.

    Photo by: Erika Heet

  • 
  A steel-and-leather chair by French designer Maria Pergay (born in 1930), one of only eight, before a 1970 steel chair covered in vintage Pucci fabric. From Dragonette.  Photo by: Erika Heet
    A steel-and-leather chair by French designer Maria Pergay (born in 1930), one of only eight, before a 1970 steel chair covered in vintage Pucci fabric. From Dragonette.

    Photo by: Erika Heet

  • 
  Early 1950s vintage fabric in mint condition. From Urban Burp.  Photo by: Erika Heet
    Early 1950s vintage fabric in mint condition. From Urban Burp.

    Photo by: Erika Heet

  • 
  Detail of a signed and stamped chest by Swedish designer Edmund Spence, 1945. From Modern Days, West Hollywood.  Photo by: Erika Heet
    Detail of a signed and stamped chest by Swedish designer Edmund Spence, 1945. From Modern Days, West Hollywood.

    Photo by: Erika Heet

  • 
  Reform Gallery dedicated much of their show space to Paul Tuttle, who studied architecture at Frank Lloyd Wright's Taliesen West and was best known for his 1960s Santa Barbara home designs. He created the Z Chair in 1965. From Reform Gallery.  Photo by: Erika Heet
    Reform Gallery dedicated much of their show space to Paul Tuttle, who studied architecture at Frank Lloyd Wright's Taliesen West and was best known for his 1960s Santa Barbara home designs. He created the Z Chair in 1965. From Reform Gallery.

    Photo by: Erika Heet

  • 
  An installation with 1970s clay sculptures from Studio One 11.  Photo by: Erika Heet
    An installation with 1970s clay sculptures from Studio One 11.

    Photo by: Erika Heet

  • 
  The circa 1950 Arianna chair, by Italian designer Gigi Radice for Renzo Minotti, of bent plywood over steel and covered in a Turkish terry chenille intended to closely resemble the original fabric. From Downtown.  Photo by: Erika Heet
    The circa 1950 Arianna chair, by Italian designer Gigi Radice for Renzo Minotti, of bent plywood over steel and covered in a Turkish terry chenille intended to closely resemble the original fabric. From Downtown.

    Photo by: Erika Heet

  • 
    Photo by: Erika Heet

    Photo by: Erika Heet

  • 
  Bicycle Race, a 1949 oil on canvas by painter G. Maurice Cloud, who was born in 1909, attended the Beaux-Arts Academy in Paris and worked in the architect René Crevel's studio. From Jeffrey Winter.  Photo by: Erika Heet
    Bicycle Race, a 1949 oil on canvas by painter G. Maurice Cloud, who was born in 1909, attended the Beaux-Arts Academy in Paris and worked in the architect René Crevel's studio. From Jeffrey Winter.

    Photo by: Erika Heet

  • 
  A late-1960s spiral stair designed by an aeronautical engineer to lead passengers to the bar inside a 747. From Off the Wall Antiques.  Photo by: Erika Heet
    A late-1960s spiral stair designed by an aeronautical engineer to lead passengers to the bar inside a 747. From Off the Wall Antiques.

    Photo by: Erika Heet

  • 
  Referred to as a punk appropriation of Le Corbusier's iconic LC-2 chair, Stefan Zwicky's Grand Comfort Sans Comfort chair was made in 1980 from strictly conceptually pleasing concrete and rebar. From Los Angeles Modern Auctions.  Photo by: Erika Heet
    Referred to as a punk appropriation of Le Corbusier's iconic LC-2 chair, Stefan Zwicky's Grand Comfort Sans Comfort chair was made in 1980 from strictly conceptually pleasing concrete and rebar. From Los Angeles Modern Auctions.

    Photo by: Erika Heet

@current / @total

Read Full Article

Join the Discussion

Loading comments...