8 Iconic Chairs by Hans Wegner

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February 11, 2014
Hans Wegner's name is synonymous with Danish design the world over, and his seemingly simple chair designs helped usher in an appreciation for Scandinavian modern design in the United States. Here we highlight eight gems from the Wegner design archive. Read Full Article
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  Danish furniture designer Hans Wegner in his studio. Photo courtesy PP MØBLER.
    Danish furniture designer Hans Wegner in his studio. Photo courtesy PP MØBLER.
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  The Round Chair from 1949 is one of Wegner's most iconic pieces and a highlight of Danish design. “Round One” is minimalist art reduced to its bare essentials. It required incredible craftsmanship to create such smooth curves—each of the crescent-shaped armrests are fashioned from a block of wood, and interior mortise-and-tenons hide the connection between the arms and legs. Famously, when Kennedy and Nixon sweated it out during the first televised Presidential debate, they were both sitting on Wegner’s design. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
    The Round Chair from 1949 is one of Wegner's most iconic pieces and a highlight of Danish design. “Round One” is minimalist art reduced to its bare essentials. It required incredible craftsmanship to create such smooth curves—each of the crescent-shaped armrests are fashioned from a block of wood, and interior mortise-and-tenons hide the connection between the arms and legs. Famously, when Kennedy and Nixon sweated it out during the first televised Presidential debate, they were both sitting on Wegner’s design. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
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  The Wishbone Chair (1949), also known as the Y Chair, marries a hand-woven seat and steam-bent frame. The chair, an undisputed modern icon, has been in continuous production since its introduction in 1950. Inspired by portraits of Danish merchants sitting in Ming chairs, this was the culmination of a series of chairs created in the ‘40s. Photo courtesy Carl Hansen & Son.
    The Wishbone Chair (1949), also known as the Y Chair, marries a hand-woven seat and steam-bent frame. The chair, an undisputed modern icon, has been in continuous production since its introduction in 1950. Inspired by portraits of Danish merchants sitting in Ming chairs, this was the culmination of a series of chairs created in the ‘40s. Photo courtesy Carl Hansen & Son.
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  The lush design for the Flag Halyard Chair (1950) was supposedly inspired by a day at the beach, when Wegner was slowing carving himself a spot in the sand to relax. Lounging is supported by 240 meters of flag line strung through a steel frame and sheepskin covering—those coveting this chair can even reserve their own sheepskin. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
    The lush design for the Flag Halyard Chair (1950) was supposedly inspired by a day at the beach, when Wegner was slowing carving himself a spot in the sand to relax. Lounging is supported by 240 meters of flag line strung through a steel frame and sheepskin covering—those coveting this chair can even reserve their own sheepskin. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
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  Combining the best traits of a bench and a butler, Hans Wegner’s 1953 Valet chair is the one piece of midcentury-modern furniture that the fastidiously turned-out chap overlooks at his peril. Marrying formal elegance—these handsome curves have been handcrafted in PP Møbler’s Danish workshop since it took over production in 1982—with a surprising functionalism, the Valet chair all but does away with the need for Jeeves. Initially a four-legged chair, Wegner decided to trim the final product and arrived at a tripod design, though he maintained the initial design when Danish King Frederick IX requested his own. Manufactured by PP Møbler.   Photo by: Justin FantlCourtesy of: Fantl Photography LLC

    Combining the best traits of a bench and a butler, Hans Wegner’s 1953 Valet chair is the one piece of midcentury-modern furniture that the fastidiously turned-out chap overlooks at his peril. Marrying formal elegance—these handsome curves have been handcrafted in PP Møbler’s Danish workshop since it took over production in 1982—with a surprising functionalism, the Valet chair all but does away with the need for Jeeves. Initially a four-legged chair, Wegner decided to trim the final product and arrived at a tripod design, though he maintained the initial design when Danish King Frederick IX requested his own. Manufactured by PP Møbler. 

    Photo by: Justin Fantl

    Courtesy of: Fantl Photography LLC

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  The public was initially reluctant to accept the Three-Legged Shell Chair (1963), an edgier piece of work, from Wegner, which debuted at the 1963  Furniture Guild Exhibition in Copenhagen, but has become more attracted to the wavy, airy design since the chair was reintroduced in 1998. Photo courtesy of Carl Hansen & Son.
    The public was initially reluctant to accept the Three-Legged Shell Chair (1963), an edgier piece of work, from Wegner, which debuted at the 1963 Furniture Guild Exhibition in Copenhagen, but has become more attracted to the wavy, airy design since the chair was reintroduced in 1998. Photo courtesy of Carl Hansen & Son.
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  Often referred to as one of the designer’s favorite pieces, the leather Ox chair (1960), perched on chromed steel supports, shows modern design doesn’t always need to be so “dreadfully serious.” The inflated shapes of Picasso’s paintings supposedly inspired the shape of this piece, which -- true to form if you’re taking Surrealism as a reference point -- initially were sold with or without horns.
    Often referred to as one of the designer’s favorite pieces, the leather Ox chair (1960), perched on chromed steel supports, shows modern design doesn’t always need to be so “dreadfully serious.” The inflated shapes of Picasso’s paintings supposedly inspired the shape of this piece, which -- true to form if you’re taking Surrealism as a reference point -- initially were sold with or without horns.
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  During a Danish furniture trade show, Dr. Eigill Snorrason critiqued the industry for not paying enough attention to ergonomics. The Swivel Chair (1955) Wegner’s rejoinder of sorts, an elegant backrest of hand-carved wood that’s been compared to a gently bent propeller. The smooth lines, thin profile and wheels invite a sure-footed slide across any office. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
    During a Danish furniture trade show, Dr. Eigill Snorrason critiqued the industry for not paying enough attention to ergonomics. The Swivel Chair (1955) Wegner’s rejoinder of sorts, an elegant backrest of hand-carved wood that’s been compared to a gently bent propeller. The smooth lines, thin profile and wheels invite a sure-footed slide across any office. Manufactured by PP Møbler. Photo by Jens Mourits Sørensen.
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  It requires roughly ten hours for a craftsman to weave paper cord across the curved frame of this oak Easy Chair (1950) before it’s complete. Another example of Wegner melding design and material without unnecessary fuss or adornment. Photo courtesy Carl Hansen & Son.
    It requires roughly ten hours for a craftsman to weave paper cord across the curved frame of this oak Easy Chair (1950) before it’s complete. Another example of Wegner melding design and material without unnecessary fuss or adornment. Photo courtesy Carl Hansen & Son.

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