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Works by Maira Kalman

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Last week painter and illustrator Maira Kalman was in San Francisco to kick off the Contemporary Jewish Museum's run of her new show Maira Kalman: Various Illuminations (Of a Crazy World). I had a chance to talk with Kalman and wander through the gallery with her and the show's curator Ingrid Shaffner. Check out our conversation and click on the slideshow here to get a good look at her work.

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  Alongside her work, loads of Kalman's collected ephemera is on display as part of Maira Kalman Various Illuminations (Of a Crazy World). It contains just the kind of objects she loves to paint, from a pair of Junya Watanabe shoes to a vintage fez to a box of cards cataloging the "Mosses of Long Island."
Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
    Alongside her work, loads of Kalman's collected ephemera is on display as part of Maira Kalman Various Illuminations (Of a Crazy World). It contains just the kind of objects she loves to paint, from a pair of Junya Watanabe shoes to a vintage fez to a box of cards cataloging the "Mosses of Long Island." Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
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  One of my favorite modes in Kalman's work is the bullseye composition with a wash of color as the background. This work, entitled "Susan," shows a droopy basset hound and appeared in the illustrated version Kalman did of Strunk and White's The Elements of Style.
    One of my favorite modes in Kalman's work is the bullseye composition with a wash of color as the background. This work, entitled "Susan," shows a droopy basset hound and appeared in the illustrated version Kalman did of Strunk and White's The Elements of Style.
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  Here's the bustling work "New York Grand Central Station."
    Here's the bustling work "New York Grand Central Station."
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  Maira signed my copy of The Elements of Style and even drew me a funny hat to go with it. I'm besotted.
    Maira signed my copy of The Elements of Style and even drew me a funny hat to go with it. I'm besotted.
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  I snapped this photo of Maira in the gallery next to one of her ladders. The woman adores ladders.
    I snapped this photo of Maira in the gallery next to one of her ladders. The woman adores ladders.
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  "Pink Package" is one of the works on display at the Contemporary Jewish Museum, and the actual package itself is part of the installed ephemera. There are a couple instances of an object in a painting also being in the gallery space, something curator Ingrid Schaffner said leant the show, "a touch of the uncanny."
    "Pink Package" is one of the works on display at the Contemporary Jewish Museum, and the actual package itself is part of the installed ephemera. There are a couple instances of an object in a painting also being in the gallery space, something curator Ingrid Schaffner said leant the show, "a touch of the uncanny."
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  "Man Dances on Salt" is also the cover image of Maira's book Principles of Uncertainty.
    "Man Dances on Salt" is also the cover image of Maira's book Principles of Uncertainty.
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  Though you may have seen this wartime British slogan and poster in print form or on tote bags, Kalman painted it as well. Schaffner told me that it was initially a bit of homefront propaganda during World War II, but it's certainly caught on lately. A real life meme!
    Though you may have seen this wartime British slogan and poster in print form or on tote bags, Kalman painted it as well. Schaffner told me that it was initially a bit of homefront propaganda during World War II, but it's certainly caught on lately. A real life meme!
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  These sketches are the endpaper to her 2001 children's book, What Pete Ate.
    These sketches are the endpaper to her 2001 children's book, What Pete Ate.
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  Here you can see a pair of chairs set up facing a pie chest. The chest is Kalman's and it's full of linens. Maira told me that it's something of a tradition amongst the women of her family to press their linens and she wanted to have that ritual, as well as the object itself, as part of the ephemera in the show. 
Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
    Here you can see a pair of chairs set up facing a pie chest. The chest is Kalman's and it's full of linens. Maira told me that it's something of a tradition amongst the women of her family to press their linens and she wanted to have that ritual, as well as the object itself, as part of the ephemera in the show. Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
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  This work is called Crosstown Boogie Woogie and was her first New Yorker cover in December, 1995.
    This work is called Crosstown Boogie Woogie and was her first New Yorker cover in December, 1995.
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  Here's a photo of Maira Kalman and her beloved dog Pete. Portrait courtesy of Rick Meyerowitz, who you can hear chatting with Maira about the New Yorkistan New Yorker cover they did together at the show.
    Here's a photo of Maira Kalman and her beloved dog Pete. Portrait courtesy of Rick Meyerowitz, who you can hear chatting with Maira about the New Yorkistan New Yorker cover they did together at the show.
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  Woman with Face Net is the image the Contemporary Jewish Museum is using to promote the show Maira Kalman: Various Illuminations (Of a Crazy World).
    Woman with Face Net is the image the Contemporary Jewish Museum is using to promote the show Maira Kalman: Various Illuminations (Of a Crazy World).
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  Here's another view of that vitrine with Kalman's ephemera. She told me that she wore the brown shoes, which are too big for her, "in the hope of slowing down time." She then mimed slow, massive steps for me as we continued around the gallery.
Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
    Here's another view of that vitrine with Kalman's ephemera. She told me that she wore the brown shoes, which are too big for her, "in the hope of slowing down time." She then mimed slow, massive steps for me as we continued around the gallery. Maira Kalman: Various Illuminations (of a Crazy World), Installation detail. Contemporary Jewish Museum, San Francisco.
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  This picture of a Bauhaus building in Tel Aviv was commissioned by the hip Jewish magazine Tablet as a series of illustrations Kalman did based on a wander around the city of her birth.
    This picture of a Bauhaus building in Tel Aviv was commissioned by the hip Jewish magazine Tablet as a series of illustrations Kalman did based on a wander around the city of her birth.
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  This piece, Dog Reads Book, was also a New Yorker cover. It's amazing how the thing changes with the addition of that black text at the top.
    This piece, Dog Reads Book, was also a New Yorker cover. It's amazing how the thing changes with the addition of that black text at the top.
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  Here's Kalman's most famous New Yorker cover: New Yorkistan. She said it came about when she and her friend Rick Meyerowitz were in a cab up to the Bronx talking about all these tribal places in Afghanistan that they'd never heard of and then began riffing on how tribal New York City can be. Before long they had dozens of names and the map was born.
    Here's Kalman's most famous New Yorker cover: New Yorkistan. She said it came about when she and her friend Rick Meyerowitz were in a cab up to the Bronx talking about all these tribal places in Afghanistan that they'd never heard of and then began riffing on how tribal New York City can be. Before long they had dozens of names and the map was born.
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  Schaffner told me that this image is the first of Kalman's published work. It's from 1978.
    Schaffner told me that this image is the first of Kalman's published work. It's from 1978.
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  Here's a soldier Kalman painting, one of the many portraits in the show.
    Here's a soldier Kalman painting, one of the many portraits in the show.

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