Rock, Paper, Circuits: Pulplites Lamps

The Vancouver design duo Dear Human finds an illuminating use for recycled paper.

Made from shredded and recycled cardboard but fashioned like a piece of wet clay, the Pulplites lamp serves as an object lesson in paper’s potential to not only record ideas, but also to become the raw material of good design. It’s a form of material alchemy—Jasna Sokolovic and Noel O’Connell of Vancouver, who work under the name Dear Human, fashioned these colorful lights by adapting their ceramics skills to a new medium.

Jasna Sokolovic and Pulplites LampsA play in texture and contrast, the Pulplites lamps contain a mixture of cardboard, and in some cases, even old letters and egg cartons, with a fabric cord and ceramic cap made from scratch.Photo courtesy of Dear Human.

Jasna Sokolovic and Pulplites Lamps

A play in texture and contrast, the Pulplites lamps contain a mixture of cardboard, and in some cases, even old letters and egg cartons, with a fabric cord and ceramic cap made from scratch.

Photo courtesy of Dear Human.

"The paper dictates the end results," O’Connell says of the 80 percent recycled lamps. "It’s a new medium to try something different."

Pulplites LampsJasna Sokolovic and Noel O’Connell of Vancouver, who work under the name Dear Human, fashioned these colorful lights by adapting their ceramics skills to a new medium."The paper dictates the end results," O’Connell says of the 80 percent recycled lamps. "It’s a new medium to try something different."Photos courtesy of Dear Human.

Pulplites Lamps

Jasna Sokolovic and Noel O’Connell of Vancouver, who work under the name Dear Human, fashioned these colorful lights by adapting their ceramics skills to a new medium.

"The paper dictates the end results," O’Connell says of the 80 percent recycled lamps. "It’s a new medium to try something different."

Photos courtesy of Dear Human.

The Dear Human studio shares a building with a garment factory, so when the duo began playing with paper, there were plenty of cardboard dress forms and packaging material to use—or, rather, reuse. Pulping, moulding and shaping the geometric molds was much like creating with clay; they even dry the finished product in a computer-controlled industrial kiln. A play in texture and contrast, the Pulplites lamps contain a mixture of cardboard, and in some cases, even old letters and egg cartons, with a fabric cord and ceramic cap made from scratch.

Pulplites LampsThe Dear Human studio shares a building with a garment factory, so when the duo began playing with paper, there were plenty of cardboard dress forms and packaging material to use. Pulping, molding and shaping the geometric molds resembled creating with clay; they even dry the finished product in a computer-controlled industrial kiln.Photo courtesy of Dear Human.

Pulplites Lamps

The Dear Human studio shares a building with a garment factory, so when the duo began playing with paper, there were plenty of cardboard dress forms and packaging material to use. Pulping, molding and shaping the geometric molds resembled creating with clay; they even dry the finished product in a computer-controlled industrial kiln.

Photo courtesy of Dear Human.

"We’re excited about the process and have a long list of ideas to modify in the future," says Noel, who wants to experiment with design while finding a way to scale production. "We’re looking to make a light shade out of white paper, and are excited about a completely paper lamp."

The Pulplites lamps are currently on display at the Of Light show at Circle Craft Gallery in Vancouver

Patrick Sisson
During the course of his career writing about music and design, Patrick Sisson has made Stefan Sagmeister late for a date and was scolded by Gil Scott-Heron for asking too many questions.

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