Frieze Art Fair: 7 Things Not to Be Missed

written by:
May 3, 2013
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  An exciting entry to a sea of art. Frieze New York, 2012. Photograph by Graham Carlow. Courtesy of Graham Carlow/Frieze.
    An exciting entry to a sea of art. Frieze New York, 2012. Photograph by Graham Carlow. Courtesy of Graham Carlow/Frieze.
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  The white tent by SO-IL has an impressive presence from above. Frieze New York, 2012. Photograph by Iwan Baan. Courtesy of Iwan Baan/ Frieze.
    The white tent by SO-IL has an impressive presence from above. Frieze New York, 2012. Photograph by Iwan Baan. Courtesy of Iwan Baan/ Frieze.
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  A past installation by Liz Glynn, BLACKBOX (Bar) in 2012. Stained wood, one hundred unique numbered glazed ceramic mugs, 11 stools, Xerox copies, and acrylic. Photograph by Calvin Lee
Courtesy of LAXART and the Getty Research Institute.
    A past installation by Liz Glynn, BLACKBOX (Bar) in 2012. Stained wood, one hundred unique numbered glazed ceramic mugs, 11 stools, Xerox copies, and acrylic. Photograph by Calvin Lee
Courtesy of LAXART and the Getty Research Institute.
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  Tina Girouard, Carol Goodden, and Gordon Matta-Clark outside the restaurant FOOD prior to its opening in 1971. Goodden will be one of the artists participating as a chef in the 2013 homage to the original. Photograph by Richard Landry. Courtesy Richard Landry, the Estate of Gordon Matta-Clark and David Zwirner, New York/London.
    Tina Girouard, Carol Goodden, and Gordon Matta-Clark outside the restaurant FOOD prior to its opening in 1971. Goodden will be one of the artists participating as a chef in the 2013 homage to the original. Photograph by Richard Landry. Courtesy Richard Landry, the Estate of Gordon Matta-Clark and David Zwirner, New York/London.
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  Maria Loboda’s installation at Frieze will utilize topiary as seen in an earlier work,
The bad boys of Harvard, 2011. Topiary. Photo courtesy of the artist and Schleicher/Lange.
    Maria Loboda’s installation at Frieze will utilize topiary as seen in an earlier work,
The bad boys of Harvard, 2011. Topiary. Photo courtesy of the artist and Schleicher/Lange.
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  Marianne Vitale’s weathervane-centric piece for Frieze will be a departure from past work. Burned Bridge (Montreuil), 2012. Reclaimed lumber. Photograph by Pierre Antoine, courtesy of the artist.
    Marianne Vitale’s weathervane-centric piece for Frieze will be a departure from past work. Burned Bridge (Montreuil), 2012. Reclaimed lumber. Photograph by Pierre Antoine, courtesy of the artist.
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