We first came across Michael Murphy’s Forgotten Modernism series, which depicted structures across San Francisco. With Supersonic, his latest release, Murphy creates his own worlds using Atomic-age imagery as source material. “The ultimate goal is to create a fresh, contemporary tectonic, while recognizing certain influences of mid-20th century design and cultural zeitgeist,” he describes on his site. We asked Murphy to tell us about a few pieces in his series, which are available for sale at supersonicmodern.com
Arrival depicts a house in the desert, “which is the theme for much of this series,” Murphy says. “Solitude and isolation, and a mix of styles and genres with a 1950's Constellation airplane and a late 1960's Chevy Impala.”
“This is a study of some of London's modern architecture,” says Murphy, “where a sniper has decided on a quick drink at the Lancaster Gate Hotel before heading off for his target practice.”
“An airport bar, Tiki style,” Murphy says. “This was inspired by an old bar called ‘Ishi’ at the San Francisco International Airport—a wonderful place.”
“This is a view of a Miesian-inspired desert dwelling set in the milieu of a DeChirico composition,” Murphy says. “With a Barbara Hepworth sculpture thrown in for good measure.”
“A very modern, gravity-defying retreat for TWA employees before or after a long flight,” Murphy says.
“This is another desert house where I wanted to imply a U-shaped plan by looking from the inside out across the pool,” Murphy says. “I’m not sure how much privacy one would really get from this screen though.”
“This is an airless, moonscape-like scene where the military officer has decided to take a break form the action and just stay in for the evening in his modern abode,” Murphy describes.
“A modern house design with a touch of Tiki, and, of course, a glowing lightbox sign,” Murphy says. “My wife who is from Spain was singing ‘Un, dos, cha cha cha’ one day and I though it was the perfect fit for the house.”