A pair of designers in Oslo, armed with tricks for introducing color and daylight, remake their compact late-19th-century apartment.
For a couple with different aesthetic and cultural backgrounds, creating a home that suited them both involved a steep learning curve. But as luck would have it, their architects are also teachers.
A new spin on rammed-earth construction aims to bring the method to the masses.
In an unusual collaboration among birds, wind, and one of San Francisco’s leading landscape architects, a California designer has made a pair of unique outdoor living spaces—one low and one high.
Lotty Lindeman and Wouter Scheublin's wood and ceramics workshop is located within designer Piet Hein Eek’s building, a former Philips factory in Eindhoven that was remodeled in 2010 into a furniture factory, restaurant, and several storefront ateliers. Lindeman’s and Scheublin’s work displays a kinetic quality. “We like to be artfully expressive, but the goal is to make products that function in everyday life,” Lindeman says. “It’s not only about the object but also about how it creates moods and lets your imagination play.”
Dirk Vander Kooij's furniture is inspired by a form created with a 30-year-old 3-D printer. "Older machines were less precise, which means thicker lines but also very little waste of material,” he says. Exaggerated lines have since become his decorative signature and make his digitally crafted pieces "look like handmade rope furniture." Up next: interlocking triangulated pieces that form offbeat lamps, bowls, and flat-pack shelves.
Daphna Isaacs Burggraaf and Laurens Manders label their collaborative oeuvre Daphna Laurens because they work so closely “It’s like finishing each other’s sentences,” says Manders. “We could not work without each other.” Each of their pieces is first conceived by cutting paper to make amoebic collages, an abstract beginning that affects each piece's end use. Isaacs says, “We want people to fantasize about our objects and even give them uses we never intended.” For example, their three-legged Cirkel Coffee Table 01 (left) has a warped aluminum top and a conical wood-clad vessel that acts as a third “leg.” Up next for the pair is a diffusion line through Capellini, who will produce less expensive versions of Daphna Laurens' oak and porcelain Tafelstukken lamps.
Frank Tjepkema founded his industrial design firm, Tjep., in Amsterdam in 2001 and has since produced objects in scales from minute to massive. On the tinier end of the spectrum, he has designed conceptual but wearable jewelry for Dutch design leaders Gijs Bakker and Marijke Vallanzasca. On the larger side, he's completed commercial interiors ranging from restaurants to airport kiosks.