I came across a handsome group of weekender and messenger bags by Killspencer last week in my online meanderings. I learned from the website—the only place you can buy a bag—that they are designed and made in Los Angeles, but only after talking with head bag man Spencer Nikosey did I learn that the company is less than a month old, and debuted at his senior show at Art Center College of Design in LA.
I recently talked over the phone with Kyle Schuneman, interior and set designer of Live Well Designs in Los Angeles. In the course of our conversation he again and again argued for men taking a greater role in the design and decoration of their living spaces.
Yard Sale Photographs, a new book of photography by Adam Bartos, revels in the everyday castoffs and outmoded bric-a-brac that lard the average American garage sale. With a cover that apes a second-hand book, replete with a $1 price sticker, Yard Sale Photographs' cock-eyed affection for the objects of our lives--tennis racquets, spare tires, a set of glasses, well-used toys--and the ritual selling of them, is manifest.
Earlier this week I watched a truly fascinating documentary from 2008 called Married to the Eiffel Tower which ran on Channel 5 in the UK. It focuses on three women, each of whom identify as "objectum-sexuals," which is to say, they form romantic and physical relationships not with humans, but with objects.
I was on North Haven Island, Maine recently to report a story for the July/August issue of the magazine, and I went to visit a lovely modern second home by architect Christopher Campbell. Hang tight until the issue to get the whole story, but while I was there I knew I had to blog this very sweet, indoor/outdoor children's swing.
When veterinary doctor Taranjit Kaur, her husband and molecular biologist Dr. Jatinder Singh, and their three year old daughter Simran set out to live and do research for a year in the remote Mahale Mountain National Park in western Tanzania, they knew they would need a home that could do some serious architectural and scientific heavy lifting.
I saw the wonderful Cannes Grand Prix-winning gangster film Gomorrah directed by Matteo Garrone yesterday, and was struck at the level of decay and desecation presented. The film was set largely in Scampia, a suburb of Naples apparently riddled with the criminal activities of the Camorra crime organizations. It’s a fascinating portrait of how deeply the organization penetrates the lives of both average Scampians, Neapolitans and the thugs themselves, but it’s also a staggering use of architecture and landscape in filmmaking.