That's par for the course with Aesop, a brand of Melbourne-based cosmetics and body products. Over the last decade, the company has built up a clutch of fantastic retail spaces done by an enviable array of architects. An Aesop interior tends to emphasize one material—corrugated cardboard, pine boxes, a giant sink—making it, not the rows of creams and balms, the star. In San Francisco, the first Aesop shop on the West Coast, the star is a welter of pine boxes jutting out from one wall designed by NADAAA, a Boston firm that also did an Aesop store in Manhattan. About this time last year we had a long chat with Aesop founder Dennis Paphitis about what drives the design culture at his company, how he thinks about interior space, and what precisely he means by "exaggerated minimalism."
PrintCollection.com, an online purveyor of both original and historic reproduction prints and photographs, recently commissioned the State of America graphic print series by artist Julian Montague. The collection of official various symbols of the 50 United States is both weird and wonderful: There are the usual suspects one might expect (leaves, amphibia, fruits, birds, still more fruits, still more birds), but then there are a wasp, potato, shark teeth, and a trilobite, too. (That last would be Pennsylvania's.) And who knew Connecticut goes in for the mantis, while Iowa favors a catfish? Click through to see a selection of these bright, modern prints.