We were very saddened to learn that the great architecture critic Ada Louise Huxtable passed away Monday, January 7th, 2012. She was 91 years old. Born March 14th, 1921 in New York City, Huxtable became the first full-time architecture critic for a daily American newspaper for the New York Times in 1963. A meticulous reporter, sharp writer, and ardent preservationist, Huxtable argued for innovation in new construction and for hanging on to the best of the old. She eventually won a Pulitzer Prize for distinguished criticism in 1970, the first Pulitzer Prize awarded in the category.
In recent years, Huxtable contributed several essays each year on architecture to the Wall Street Journal, and when we last corresponded with her she was working on a book about ranch houses. We spoke with Huxtable in 2011 ("The Long View," March 2011, reprinted below) when she worried that architectural criticism was getting too far from the rigors of daily reporting.
“We’re treating architecture too much as art alone. And it’s too much a part of our celebrity culture,” she said. “People’s eyes glaze over at the prospect of talking about architecture’s sociological roles, but that doesn’t have to be boring and it’s absolutely essential to figure it in.”
“You have to know about real estate, development, urbanism, local commercial interests, and of course architectural history,” she said. “You have to get so much information to be entitled to write a piece of architecture criticism.”
She will be missed by anyone who seriously cares about architecture, the fate of our cities, and how we talk about the built world around us.
That's par for the course with Aesop, a brand of Melbourne-based cosmetics and body products. Over the last decade, the company has built up a clutch of fantastic retail spaces done by an enviable array of architects. An Aesop interior tends to emphasize one material—corrugated cardboard, pine boxes, a giant sink—making it, not the rows of creams and balms, the star. In San Francisco, the first Aesop shop on the West Coast, the star is a welter of pine boxes jutting out from one wall designed by NADAAA, a Boston firm that also did an Aesop store in Manhattan. About this time last year we had a long chat with Aesop founder Dennis Paphitis about what drives the design culture at his company, how he thinks about interior space, and what precisely he means by "exaggerated minimalism."
PrintCollection.com, an online purveyor of both original and historic reproduction prints and photographs, recently commissioned the State of America graphic print series by artist Julian Montague. The collection of official various symbols of the 50 United States is both weird and wonderful: There are the usual suspects one might expect (leaves, amphibia, fruits, birds, still more fruits, still more birds), but then there are a wasp, potato, shark teeth, and a trilobite, too. (That last would be Pennsylvania's.) And who knew Connecticut goes in for the mantis, while Iowa favors a catfish? Click through to see a selection of these bright, modern prints.