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Functional beauty is the ethos behind the Japanese ceramist's work. Side dishes in playful silhouettes are grounded by earthy, tactile glazes.
The mix-and-match buffet is available in a wide array of material combinations (two types of wood and 30 colors of matte laquer, plus chromed steel).
Wrong's new collection for the Danish design giant includes textiles from the archives of one of the Memphis group's founding members.
The Italian designer, who worked alongside Sottsass and other avant-garde Alchimia and Memphis group members, has designed a series of nine graphic mosaic tiles that can be arranged at will.
Taylor, whose studio is in Stockholm, returns to the U.S.A. in February 2014 for a residency at San Francisco's NWBLK gallery. His showstopping vase, mirror, and dish are made of brass and raw...
Principal Matthew Sullivan named his sold walnut bench with a waxed finish after a German music producer. We see a bit of Memphis in the stair-stepped design.
Hubert cut the bell-shaped shades of his marble pendant lights with extremely thin walls to create a diffuse, translucent light.
A sooty finish for stainless-steel flatware made in Portugal elevates everyday utensils.
Sweden-by-way-of-California designer Greta Magnusson Grossman's iconic lighting is now available in a compact sconce version.
Welsh's understated, livable Graft collection includes this storage-stocked credenza in gray laminate with a solid oak frame.
Gray-and-white veining is just as effective in small doses, like a copper-topped candle-holder for the tabletop.
A powder-coated steel frame gives these spare pendant lights shape via negative space. Available in three sizes and six colors.
A Carrara motif is applied to fine bone china for this delicate take on the trend.
Danish designer Pernille Snedker Hansen's custom installations involve treating local Nordic wood with a marbling effect in toned-down hues.
Smith looked to stained glass windows for this abstract take on ancient art. He also used a special looping method to create crisp edging.
A meticulous 16 coats of lacquer are applied to several layers of wood beneath for this modern rendition of a traditional technique.
Though the facets of the New Zealand designer's pendant lights suggest machine tooling, each unique and handmade object is produced by casting a water-based resin into a mold.
An internal pendulum keeps this clock ticking, and its balancing function makes the piece rock like a metronome.
The Dutch company's Ibiza collection saturates walls in degrees with a photo-realistic paper that adds an of-the-moment gradient effect.
This particular collection, from an Australian rug company with an eye for subtle color variations and rich materials, uses yarn unraveled from vintage kilims.
The lunar-esque floor lamp features an LED bulb that highlights the material interplay between dark marble and light glass.
A roster of illustrious designers created pieces in solid black Nero Marquina marble for Avenue Road. Form meets function especially well in Lovegrove’s sculptural bookends.
The fully upholstered side chair is an exercise in cantilevered forms. The designer wanted a seat that is as comfortable and stable as a recliner but trim enough for small spaces.
The colorblock marble and onyx slabs that Urquiola stitched together for Budri’s 5.9 collection are all fragments from pieces broken in Italy’s 2012 earthquake.
For the look without the weight or price tag of real stone, consider using the Danish retailer’s WallSmart non-woven wallpaper version.