written by:
August 5, 2009
Originally published in Prefab's Promise

Designer Massimo Iosa Ghini takes a moment to reflect on the hazards of speed and the merits of Europe’s standard of living.

At the 2004 Abitare il Tempo show in Verona, six dseigners were invited to create living environments. Studio Iosa Ghini showcased the Casa Fluida, shown here in a rendering.
At the 2004 Abitare il Tempo show in Verona, six dseigners were invited to create living environments. Studio Iosa Ghini showcased the Casa Fluida, shown here in a rendering.
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Casa Fluida featured an open layout of functionally flexible space inspired by the fluid city.
Casa Fluida featured an open layout of functionally flexible space inspired by the fluid city.
Courtesy of 
Justin Reid
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Like the aesthetics of Bolidism, a movement Iosa Ghini founded in 1985, fluid curves characterize many of his designs. Seen here is the interior of the Ferrari store in Rome, which he designed in 2004.
Like the aesthetics of Bolidism, a movement Iosa Ghini founded in 1985, fluid curves characterize many of his designs. Seen here is the interior of the Ferrari store in Rome, which he designed in 2004.
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massimo iosa ghini portrait

It’s a balmy October afternoon in Bologna, Italy. Massimo Iosa Ghini’s office is in the old city center, on the second floor of a Renaissance palazzo that now houses grand high-ceilinged offices around a central courtyard. Iosa Ghini, born in 1959, was a formative member of Italy’s Bolidism and Memphis movements. Today he practices both architecture and design for clients including—but not limited to—Ferrari, Snaidero, Listone Giordano, Moroso, Poltrona Frau, Zumtobel Staff, Dornbracht, and Duravit.

In a mostly white room spotted with models of racecars, buildings, and other things bearing a streamlined, frozen movement, Iosa Ghini seats himself on one of his office chairs. Several books of his drawings and designs are on the table. After an espresso-fueled greeting, I fumble with my tape recorder. “I’ve never met a journalist who’s comfortable operating one of those things,” Iosa Ghini says. “Not even the tech-savvy ones I met in Japan.”

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