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Carefully Curated Interiors Part Two

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For Part Two of Carefully Curated Interiors, Dwell takes a look at 4 modern homes around the world that have assembled their interiors with thought and intention.
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  In the living room, a travertine-topped coffee table by Paul McCobb pairs well with the Florence Knoll Parallel Bar System sofa. The Josef Albers print over the fireplace is an original, scored on eBay. Photo by Drew Kelly.  Photo by: Drew Kelly

    In the living room, a travertine-topped coffee table by Paul McCobb pairs well with the Florence Knoll Parallel Bar System sofa. The Josef Albers print over the fireplace is an original, scored on eBay. Photo by Drew Kelly.

    Photo by: Drew Kelly

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  Mark Neely and Paul Kefalides’s living room is decked out with the couple’s vintage finds, including a Hans Wegner Sawback chair (the fur throw obscures an area needing repair), a George Nelson Ball Clock, a DF-2000 cabinet by Raymond Loewy, a light designed by Greta Von Nessen, and a suite of Brian Willshire wooden sculptures, one of Neely’s many collections. Photo by Drew Kelly.  Photo by: Drew Kelly

    Mark Neely and Paul Kefalides’s living room is decked out with the couple’s vintage finds, including a Hans Wegner Sawback chair (the fur throw obscures an area needing repair), a George Nelson Ball Clock, a DF-2000 cabinet by Raymond Loewy, a light designed by Greta Von Nessen, and a suite of Brian Willshire wooden sculptures, one of Neely’s many collections. Photo by Drew Kelly.

    Photo by: Drew Kelly

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  Located just off the entry hall, this room opens onto a lush garden. The residents commissioned the overhead light from designers Sylvain Willenz and Hubert Verstraeten. “The use of red billiard ball references Charles and Ray Eames’s Hang-It-All coat rack,” says Smith. The wall-hung light is by the contemporary São Paulo–based designers Luciana Martins and Gerson de Oliveira. The rug is a Moroccan patchwork from the 1960s; the teak-and-leather Kilin chair is by Sergio Rodrigues; and the cane-backed sofa is a student daybed designed by Hans Wegner for Getama in the 1950s. Photo by Chris Tubbs.  Photo by: Chris Tubbs

    Located just off the entry hall, this room opens onto a lush garden. The residents commissioned the overhead light from designers Sylvain Willenz and Hubert Verstraeten. “The use of red billiard ball references Charles and Ray Eames’s Hang-It-All coat rack,” says Smith. The wall-hung light is by the contemporary São Paulo–based designers Luciana Martins and Gerson de Oliveira. The rug is a Moroccan patchwork from the 1960s; the teak-and-leather Kilin chair is by Sergio Rodrigues; and the cane-backed sofa is a student daybed designed by Hans Wegner for Getama in the 1950s. Photo by Chris Tubbs.

    Photo by: Chris Tubbs

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  On view in the soaring atrium are a jacaranda high board from the 1960s, a chrome and glass lamp from Italy, a black leather chair and footstool by Sergio Rodrigues, a Berber rug, and a pair of photographs by the Brazilian artist Luiz Braga. Photo by Chris Tubbs.  Photo by: Chris Tubbs

    On view in the soaring atrium are a jacaranda high board from the 1960s, a chrome and glass lamp from Italy, a black leather chair and footstool by Sergio Rodrigues, a Berber rug, and a pair of photographs by the Brazilian artist Luiz Braga. Photo by Chris Tubbs.

    Photo by: Chris Tubbs

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  They restored small alcoves to rooms including the office (shown here) and living room and worked carefully with the existing windows. They also hunted down a craftsman, Marc Ablasou, to install oak floors in a herringbone pattern—a touch that subtly complicates Safdie’s aesthetic. In the office, the mirrored console is vintage and the Grand Prix chair is by Arne Jacobsen for Fritz Hansen. Photo by Alexi Hobbs.  Photo by: Alexi HobbsCourtesy of: Alexi Hobbs

    They restored small alcoves to rooms including the office (shown here) and living room and worked carefully with the existing windows. They also hunted down a craftsman, Marc Ablasou, to install oak floors in a herringbone pattern—a touch that subtly complicates Safdie’s aesthetic. In the office, the mirrored console is vintage and the Grand Prix chair is by Arne Jacobsen for Fritz Hansen. Photo by Alexi Hobbs.

    Photo by: Alexi Hobbs

    Courtesy of: Alexi Hobbs

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  In the living room, a Lake credenza by BDDW is topped with a Bauhaus chess set and a portrait of Ernest Hemingway by the artist Yuriy Rudnev. Photo by Alexi Hobbs.  Photo by: Alexi HobbsCourtesy of: Alexi Hobbs

    In the living room, a Lake credenza by BDDW is topped with a Bauhaus chess set and a portrait of Ernest Hemingway by the artist Yuriy Rudnev. Photo by Alexi Hobbs.

    Photo by: Alexi Hobbs

    Courtesy of: Alexi Hobbs

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  Blauvelt and Winter ground their soaring two-story living room with classics such as Eero Saarinen’s Womb chair and ottoman, a Noguchi coffee table, an Eames wire-base table and a Danish teak credenza, which displays their collection of pottery and a pair of Martz lamps made by Marshall Studios. Flor carpet tiles help add color to the neutral palette. Photo by Dean Kaufman.  Photo by: Dean KaufmanCourtesy of: Dean Kaufman 2010

    Blauvelt and Winter ground their soaring two-story living room with classics such as Eero Saarinen’s Womb chair and ottoman, a Noguchi coffee table, an Eames wire-base table and a Danish teak credenza, which displays their collection of pottery and a pair of Martz lamps made by Marshall Studios. Flor carpet tiles help add color to the neutral palette. Photo by Dean Kaufman.

    Photo by: Dean Kaufman

    Courtesy of: Dean Kaufman 2010

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  A monumental German climate map enlivens the dining area, which also sports CH 23 & CH 30 chairs by Hans Wegner. Photo by Dean Kaufman.  Photo by: Dean KaufmanCourtesy of: Dean Kaufman 2010

    A monumental German climate map enlivens the dining area, which also sports CH 23 & CH 30 chairs by Hans Wegner. Photo by Dean Kaufman.

    Photo by: Dean Kaufman

    Courtesy of: Dean Kaufman 2010

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