New Piano for Gardner Museum
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Exterior view of the new Evans Way Park entrance of the new wing of the Isabella Stewart Gardner Museum. Outdoor art installation “Ailanthus” by Stefano Arienti (right). -
Evening exterior view of the new Evans Way Park entrance of the Renzo Piano-designed wing of the Gardner Museum, which houses a 2,500-square-foot greenhouse. -
From the outside peering in at the new Special Exhibition Gallery in the Piano wing. The Living Room visitor orientation space sits below. -
A view of the central grand staircase in the new wing. The historic palace building is visible through the windows in the rear. -
A cross-section view of the staircase, showing the pleated green facade beyond the windows. -
View from a balcony of Calderwood Hall in the new wing: the acoustics in the space were engineered by Yasuhisa Toyota, who has worked on Frank Gehry's Disney concert in L.A., among many others. His first meeting with Renzo Piano was, architecturally speaking, "love at first sight." -
Section view of the technologically advanced Caldwell Hall, designed by Renzo Piano with the acoustical expertise of Yasuhisa Toyota. -
A view of the new Living Room visitor orientation space on the ground floor of the Gardner's new wing. Furniture selected by Renzo Piano Workshop, including the vibrant red seating. Not pictured: a guest book commissioned from artist Stefano Arienti, who also created the installation piece hanging on the entry facade. -
Renzo Piano designed even the smallest detail, like the electronic placards posted throughout the new wing. They are pictured here in the entrance hall, a transparent portal to the building behind. -
Lighting detail in the Claire and John Bertolucci Education Studio, an art-making space currently featuring work by artist-in-residence Cesare Pietroiusti. -
Gardner's contemporary curator Pieranna Cavalchini in front of artist Victoria Morton's first US solo show, as seen in the new exhibition gallery. The gallery's ceilings can be modified between 12, 24, and 36 feet in height! -
Renzo Piano's sketch of his vision for the transparent connector between the historical palace and the contemporary wing of the Gardner museum. -
The red, felt-covered seats designed by Piano in the Caldwell Auditorium are incredibly straight-backed and surprisingly comfortable. -
Connecting the original Willard T. Sears building to the Renzo Piano addition is a glassy vertebrae, which Piano describes as a "conversation," not to close to the subject and not too far away. -
The underside of the vertically-oriented Caldwell Auditorium, built like a high-tech black box theatre. -
In the Living Room orientation space, it's not a sound installation you're hearing: it's real, live birds. (Apparently they have their own staff member as a caretaker.) -
A view of the old palace, looking out from the stairwell in the new wing and across the glass ground-floor walkway.
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