Bill Ryall at home in Harlem. "When I first thought of moving to Harlem, I looked at a map. The island's about 210 blocks long, I'm near 110th Street—I thought, 'It's right in the center of Manhattan.'"
When the Hsus found themselves expecting a third child, they engaged Lang to enclose the upper part of their double-height living room to create a fourth bedroom and playroom-study upstairs. Additionally, Lang resurfaced the fireplace wall with massive slabs of filled silver travertine marble. The slabs were so large that one of them broke an adjoining floor-to-ceiling glass pane during installation.
“Do you really like your building?” the Brook’s director, Paul Pavon, was asked by an acquaintance, who compared the appearance of the 90,000- square-foot supportive housing development in New York’s famously blighted South Bronx to that of the Tetris video game. Indeed he does: “If you walk around this neighborhood, not too many buildings look like this. So there’s some kind of pride when the tenants come home.”
Over the past 15 years, Groundswell Community Mural Project has developed hundreds of murals around New York City that give voice to otherwise underrepresented ideas and perspectives, and beautify neighborhoods that are rarely the focus of public art initiatives. Here's one example.
The tall vegetation surrounding Carrie Grassi, Freshkills Park land-use and outreach manager, grows atop what was formerly the world’s largest landfill: 150 million tons of (mostly) garbage, accumulated over more than half a century.