written by:
photos by:
February 19, 2014
Originally published in Bright Interiors
as
A Nouveau Approach
It was love at first sight for Elina Vila D’Acosta-Calheiros and her husband, Ginés Gorriz: When they stepped into the century-old apartment that would become their home, they were so smitten they bought it on the spot.
apartment, Barcelona, Spain, tan, chairs, white, tile

In the living room of the Barcelona apartment designer Elina Vila D’Acosta-Calheiros shares with her husband, Ginés Gorriz, Arne Jacobsen Swan chairs join a sofa by Piero Lissoni for Living Divani. The cabinet is from Cappellini, as is the Marcel Wanders Big Shadow lamp.

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hallway, Spanish, mirror, door

The ornate facade of the Art Nouveau building carries over into the entrance. The floral pattern of the original tile floor begins in the entrance hall and continues throughout the apartment; it is offset by a sleek iron table from Minim.

Photo by 
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view, Barcelona

In 1910, when the building was constructed, Barcelona’s economy was booming and, as a result, so were the arts. Architecture was especially popular among the city’s wealthier citizens, and splendid buildings were built in the new neighborhood of L’Eixample, on the edge of the old, Gothic city center.

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modern kithen with gray tile floor and wood dining table and chairs

In the dining room, a Poul Henningsen lamp hovers over a table by Philipp Mainzer for E15, surrounded by Hans Wegner Wishbone chairs. The artwork is by Maria Sanchez. The designer added a Banco kitchen by Dada with Jasper Morrison stools.

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library, chaise lounge, lamp

Vila D’Acosta-Calheiros hung a space-saving wall shelf in the library. The table is by Eero Saarinen; the Tolomeo lamp is by Michele de Lucchi for Artemide. The red beanbag-like Sacco chair is by Zanotta, as is the Sciangai coatrack in the hall, beyond.

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bedroom, white, walls, bed

The master bedroom includes a Mini bed by Emaf Progetti for Zanotta, a tub by Sanico, and a towel rack and side table by Philipp Mainzer.

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chairs, hall, stained glass

In the hall, the designer allowed the original details to resonate. “The old building has a lot to tell us,” she says.

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apartment, Barcelona, Spain, tan, chairs, white, tile

In the living room of the Barcelona apartment designer Elina Vila D’Acosta-Calheiros shares with her husband, Ginés Gorriz, Arne Jacobsen Swan chairs join a sofa by Piero Lissoni for Living Divani. The cabinet is from Cappellini, as is the Marcel Wanders Big Shadow lamp.

Project 
D'Acosta-Calheiros–Gorriz Residence

The 2,583-square-foot unit, located in the upmarket L’Eixample area of Barcelona, sported original Art Nouveau details: richly ornamented plasterwork, floor-to-ceiling windows with wooden shutters and brass hinges, and porcelain handles on the doors. A long hallway, lit on three sides by colorful stained-glass windows, connected the rooms at the front of the apartment with the library and the adjoining conservatory at the rear. Gray, brown, and white tiles, arranged to form delicate flower patterns, covered the floors in every room. “That’s really very unusual,” says Vila D’Acosta-Calheiros. “In old Catalan apartments, you normally find different tiles and patterns in each room. The uniformity of the tiles and patterns here imparts a sense of calm and space. Everything was just so perfect.”

One of Spain’s best-known interior designers, Vila D’Acosta-Calheiros founded the Minim design studio and showroom with Agnès Blanch Vallès in 1999. The pair specializes in integrating furniture and accessories into rooms in such a way that the spaces remain light and breezy. “Respecting the location is a part of our philosophy,” explains Vila D’Acosta-Calheiros, who was born in Cuba and studied architectural restoration in Mexico. She took the same approach for her own home. “I let my surroundings speak,” she says, “and I listened carefully to what they had to say.” To her, it was clear: The old rooms should remain as untouched as possible.

hallway, Spanish, mirror, door

The ornate facade of the Art Nouveau building carries over into the entrance. The floral pattern of the original tile floor begins in the entrance hall and continues throughout the apartment; it is offset by a sleek iron table from Minim.

In 1910, when the building was constructed, Barcelona’s economy was booming and, as a result, so were the arts. Architecture was especially popular among the city’s wealthier citizens, and splendid buildings were built in the new neighborhood of L’Eixample, on the edge of the old, Gothic city center. Modernismo, which later became known as Catalan Art Nouveau, was the preferred architectural style in the upper echelons of society, and Antoni Gaudí was its most famous exponent. Some of the buildings he designed, such as the Casa Batlló and the Casa Milà, are just around the corner from the couple’s apartment. Their town house, designed by the little-known architect Telmo Fernandez, has the sumptuous, almost excessively embellished facades and richly decorated interiors representative of this era.

modern kithen with gray tile floor and wood dining table and chairs

In the dining room, a Poul Henningsen lamp hovers over a table by Philipp Mainzer for E15, surrounded by Hans Wegner Wishbone chairs. The artwork is by Maria Sanchez. The designer added a Banco kitchen by Dada with Jasper Morrison stools.

The couple had some basic work done on their new home, including painting the windows and door frames and cleaning the stucco and floor tiles. To better accommodate their family, they made a few strategic structural changes, such as moving the kitchen from the center of the apartment to one of the bigger, airier rooms at the front and removing a wall to better connect the new kitchen to the living and dining rooms. “There are four of us in the family,” notes Vila D’Acosta-Calheiros. “An apartment must not only be beautiful, it must also be practical.” This group of rooms now forms the focal point of family life. The former kitchen was converted into two bathrooms, which are situated next to the bedroom of their 15-year-old daughter, Luna. Their 22-year-old son, Pablo, has moved into a room on the floor above—in former servants’ quarters, reached via a narrow staircase. He has declared this part of the apartment a “design-free area.”

library, chaise lounge, lamp

Vila D’Acosta-Calheiros hung a space-saving wall shelf in the library. The table is by Eero Saarinen; the Tolomeo lamp is by Michele de Lucchi for Artemide. The red beanbag-like Sacco chair is by Zanotta, as is the Sciangai coatrack in the hall, beyond.

In the other rooms, midcentury classics, like dining chairs by Hans Wegner, share space with contemporary objects, such as lamps by Marcel Wanders, a sofa by Piero Lissoni, and stools by Jasper Morrison. At work, Vila D’Acosta-Calheiros’s and Gorriz’s roles are strictly separated: He looks after the business side of the firm, while she does the interior design work. However, they planned their home together. “We wanted to create a modern contrast to the original structure of the building,” says Gorriz. “As the apartment already boasted a wealth of original details, we decided to use restrained colors and natural materials, such as cloth, iron, and wood.” The furniture combines high quality with functionality. There are, however, a few exceptions—such as the three white chairs by Junya Ishigami, which are more eye-catching than comfortable. “We couldn’t resist them. They’re simply too beautiful,” says Vila D’Acosta-Calheiros.

Although the couple originally planned not to hang any art, they did mount a large-format photo by Jordi Bernadó in the living room. “It has so much depth,” says Gorriz. And behind the dining table, a work in wood by a Cuban artist friend, Maria Sanchez, breaks the austere white of the walls. “But we’ll probably leave it at that,” says Vila D’Acosta-Calheiros, who doesn’t want too much art and design to distract from the real protagonist: the enchanting beauty of the old rooms. 

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