At their house and flower farm in Los Angeles’s Glassell Park, Laura Gabbert and Andrew Avery bring friends, family, and a fleet of urban gardeners together for the classic indoor-outdoor party.
It was that idyllic moment every party host savors: the electrified hush right before the first guests arrive. The food was plated, the wine chilled, the iPod cued. Ingrid and Jane Avery, seven and ten years old, were handling the flower arrangements. Standing at a long stainless steel island that runs the length of their kitchen, they tucked candy-colored ranunculus, anemones, and scabiosa into wide-mouthed mason jars.
The couple bought the seven-acre property in 2003 and hired architects Jeff Allsbrook and Silvia Kuhle of L.A.-based firm Standard to reimagine the existing ranch house as a sustainable home engineered for entertaining. The place had been marketed as an “artists’ residence” in real estate ads. “I had never seen a piece of property like this in northeast L.A.,” says Gabbert of its rustic charm. “People who have lived here forever told us that they used to see horses here,” adds Avery. The horses are gone, but it’s still technically an artists’ residence: Gabbert is a documentary director who has made the films No Impact Man and Sunset Story, and Avery is a writer who also works for a native-plants wholesaler.
In a house built for entertaining, durable materials are key, according to the architects. The kitchen countertop is made from industrial-quality stainless steel so it can take a beating from cooking and crafts. Flooring is reclaimed end-grain block wood from Oregon Lumber that creates a rich texture and hides those inevitable scratches from shoes and the family’s three dogs. Much of the furniture comes from Minneapolis-based Room & Board, owned by Gabbert’s parents, Martha and John.
A serendipitous force intervened a few years later when Gabbert and Avery met urban farmer Tara Kolla, who was looking for a plot of land exactly like theirs. Kolla’s Silver Lake Farms is legendary in Los Angeles for its jewel-like cut flowers, sold at area farmers’ markets and offered to locals through a “flower share” community supported agriculture (CSA). With limited growing space in her own backyard, Kolla relies on generous homeowners to volunteer their real estate as supplemental acreage. “We develop growing grounds that are totally productive to us but still look lovely so the residents can enjoy them,” she says.
Rolling plucked lavender blossoms between their fingers, cocktails still in hand, the guests return to the kitchen and pick up their conversations. After snipping blooms to sell at the next day’s farmers’ markets, the volunteers join them, toasting their harvest with mason jars of hibiscus iced tea. As revellers move comfortably through the kitchen, living room, and myriad outdoor spaces, Gabbert marvels at how the house transforms a party into a collaboration with her guests. “Throwing parties is more fun when we get everyone involved,” she says. “It’s not always organized, but people just jump in and help. We’re not super-precious about anything—so why should we be about entertaining?”