Project posted by Olson Kundig

Pole Pass Retreat

Year
2013
Structure
House (Single Residence)
Style
Modern
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig
"We made the space as flexible as possible to allow for numerous potential uses in all four seasons," says architect Tom Kundig. During the summer months, the property is especially lively as the residents take advantage of their waterfront location.
"We made the space as flexible as possible to allow for numerous potential uses in all four seasons," says architect Tom Kundig. During the summer months, the property is especially lively as the residents take advantage of their waterfront location.
Pole Pass Retreat | Olson Kundig
Pole Pass Retreat | Olson Kundig

Details

Square Feet
6050

Credits

Posted by
Architect
Interior Design
Builder
Lockhart/Suver

From Olson Kundig

Nestled into a dense, wooded shoreline site, this intimate retreat serves as a gathering space for friends and family throughout the year, but takes particular advantage of the temperate Pacific Northwest summers. Located near the main house on a site accessed by boat, Pole Pass is situated to hug the dense woods while directing views out over the meadow and nearby harbor to the Salish Sea.

"We made the space as flexible as possible to allow for numerous potential uses in all four seasons." - Tom Kundig, FAIA, RIBA.

The design response to tight site logistics is simple: peel away the walls of the main gathering space, blurring the lines between building and site to create an expansive indoor/outdoor living space with spectacular views. A hand-cranked wheel connected to a set of gears and chains, like those of a bicycle, allow the nine-foot-tall glass walls—the largest of which is 20 feet long—to move effortlessly. When open, the window walls unite the living and kitchen areas with the expansive deck whose size nearly equals that of the building footprint.

Most important to the clients was that this family retreat be easily maintained and a light impact on the naturally vegetated site. Shou-sugi-ban, a traditional Japanese method of charring wood, was used to treat the exterior cedar siding. The technique leaves the wood a dark, rich color with hints of metallic shine. Shou-sugi-ban naturally preserves the wood, protecting it from insects, rot, and wear over time.

The hard exterior shell of steel and charred siding is juxtaposed with a soft interior palette of pine with wood rafters exposed throughout the space. The upper level consists of a single bedroom that cantilevers out beyond the enclosed volume below to create a covered, outdoor storage space at the rear of the house. The second story looks out over the drought-resistant, planted roof of the main level, giving the sense of floating above the lawn and water beyond.

We made the space as flexible as possible to allow for numerous potential uses in all four seasons.


Project Team: Tom Kundig, FAIA, Design Principal; Mark Olthoff, AIA, LEED AP, Project Manager; Chris Gerrick, AIA, LEED AP, Project Architect; Megan Quinn, Jordan Leppert, Project Staff; Charlie Hellstern, Interior Design; Phil Turner, Gizmo Design

Contractor: Lockhart/Suver