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Latest Articles in Graphic Design

Hero and Sound Design Studio

Hero Design Studio

For many setting out to make it on their own, a storefront is a destination. But for husband-wife team Mark Brickey and Beth Manos Brickey of Hero Design Studio, their shop in Buffalo's Allentown neighborhood has been a way to introduce future clients to their brand and a stop along their path toward full-time design.
March 5, 2011
Hans Wegner's Model no. 236 sofa designed for Getama in 1954.

Upcoming Auction at LA Modern

Original Ettore Sottsass furniture and accessories that were custom designed and built for the late tech pioneer Max Palevsky will hit the auction block March 6th at LA Modern. The Memphis Group member’s pieces will be sold without a reserve, and joined by work from fellow Modernists Harry Bertoia, Hans Wegner, Charles & Ray Eames, Sam Maloof, and George Nakashima. The catalog is rounded out by a selection of modern artworks by Richard Tuttle, Ed Ruscha, Helen Frankenthaler, Picasso and others. Check out a few of the objects on sale in the slideshow that follows.
March 4, 2011
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You Are Where You Live

The ads in the real estate section of the Sunday New York Times are a barometer of perceived need: what we think about when we are at our hungriest, our most grasping, our most insecure. Like the Times’ wedding announcements—which are now detailed narratives about love at first sight, missed opportunities, and second chances—the ads are a literary form dealing primarily with desire. With little more than newsprint and ink, they dangle the hope that we will someday carve out a permanent place in this turbulent city. They whisper the word “stability.”
February 27, 2011
The pixelated ceiling of the new Nobis Hotel in downtown Stockholm, carved out of a pair of 19th century buildings.

Friday Finds 2.11.11

This week, an underwater museum, antigrams, and a solo cross-Atlantic kayak voyage are just a few of the most interesting things to appear in the web browsers here at Dwell.
February 11, 2011
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Matthew Carter's New Typeface

Matthew Carter has a letter for web designers, typography geeks, and design buffs everywhere. Actually, he has a whole brand spankin’ new alphabet. On February 2nd, the iconic type designer unveiled his newest commercial typeface, Carter Sans, at the Book Club of California in San Francisco to the delight of more than 80 graphic design glitterati. In a fireside-like chat with Editor/Designer Patrick Coyne of Communication Arts Magazine, Carter shared the behind-the-scenes story of his new typeface, his bemused thoughts on Ikea “scandalously” switching their catalog design from Futura to Verdana, and how the John Coltrane Quartet rocked his typographic youth. Plus, with far more typefaces than ever now being produced for the web (including Carter Sans), he jestingly added, “web designers can finally stop blaming me for their boredom with Georgia and Verdana.” Although the world’s most accomplished typographer doesn’t consider himself to be an artist, the Museum of Modern Art—who recently acquired several of his widely used typefaces for their permanent collection—seriously begs to differ. And so do we. Click through the slideshow for highlights of the inspirational evening.
February 7, 2011
mendelsund Notes crop

Dostoyevsky, Meet Mendelsund

I recently picked up a copy of Richard Pevear and Larissa Volokhonsky's wonderful translation of War and Peace. I liked it so much—not nearly finished with those 1200 pages yet—that I began hunting down other big works of Russian lit they've done. And through that little search I came across six clever reissues of Dostoyevsky from Vintage books. Pevear and Volokhonsky helm the translation and the jacket design is by the estimable Peter Mendelsund, an in-house designer at Knopf. I've been a fan of his jackets for a while, but got in touch to pick his brain about his graphic translations of not only Dostoevsky, but a whole host of novelists and thinkers.
February 3, 2011
barcelona javier mariscal magazine

Barcelona, Day Two

On our second day in Barcelona, fueled by café con leche and enough jamon to kill a horse, we excitedly settled into a breakneck tour of modern Catalan design and architecture. From Gaudi and Dali to Mariscal and Alvarez, our Barcelona education continues in earnest.
January 29, 2011
barcelona

Barcelona, Day One

When the plane's wheels touched ground this morning at 7am, it was still dark in Barcelona. We, a motley crew of design-website editors, had just spent a long eight hours flying over the Atlantic with—horrors!—no wifi. Even though the sun was just rising as we sped away from the airport, we resisted the siren song of hotel beds and Internet clicking, and immediately embarked upon a rousing tour of Catalan architecture, art and design.
January 26, 2011
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Roger Federer's Personal Logo?

If you put any stock at all in national stereotypes--we Americans are a bit pudgy, I confess--then you're no stranger to the notion of Swiss precision. Those watches, that typography, and as his first week at the Australian Open has shown, Roger Federer. Fed is perhaps the best to ever play men's tennis, and as those deft drop shots, that stentorian backhand, and oh, those record 16 major titles attest, the guy pretty much has it dialed. Even his on-court garb is choice. The cream blazer at Wimbledon in 2006, then the cardigan in 08. Dapper. But for all his design sense, what is up with his personal logo?
January 24, 2011
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