Thomas Hayes Gallery Opening

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April 18, 2010
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  A young visitor on a Milo Baughman tufted sofa in red leather with black accents, beneath Crossroads, a 2000 acrylic-on-Masonite painting by 1960s furniture designer Arthur Ellsworth, which sold on the gallery’s opening night.
    A young visitor on a Milo Baughman tufted sofa in red leather with black accents, beneath Crossroads, a 2000 acrylic-on-Masonite painting by 1960s furniture designer Arthur Ellsworth, which sold on the gallery’s opening night.
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  Furnishings by Sergio Rodrigues, Joaquim Tenreiro, Zanini de Zanine Caldas with art by Jason Fitzmaurice.
    Furnishings by Sergio Rodrigues, Joaquim Tenreiro, Zanini de Zanine Caldas with art by Jason Fitzmaurice.
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  The 6,000-square-foot gallery, with a mixture of Brazilian, European and American modern furniture and artwork by modern and contemporary artists. Photo courtesy Elko Weaver.
    The 6,000-square-foot gallery, with a mixture of Brazilian, European and American modern furniture and artwork by modern and contemporary artists. Photo courtesy Elko Weaver.
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  Thomas Hayes, center, on opening night. At rear is Memorabilious, 1972, a color field painting by Donald Kaufman; at right is a sketch by Oscar Niemeyer.
    Thomas Hayes, center, on opening night. At rear is Memorabilious, 1972, a color field painting by Donald Kaufman; at right is a sketch by Oscar Niemeyer.
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  Hayes, left, and visitors around a 1940s solid peroba wood table from Brazil. Photo courtesy Elko Weaver.
    Hayes, left, and visitors around a 1940s solid peroba wood table from Brazil. Photo courtesy Elko Weaver.
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  1960s bronze sled chairs in white leather by Jorge Zalszupin before Passage, 2010, by Jason Fitzmaurice.
    1960s bronze sled chairs in white leather by Jorge Zalszupin before Passage, 2010, by Jason Fitzmaurice.
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  Gallery visitors near a reclaimed ipe wood sofa and cantilevered glass table, foreground, by Zanini de Zanine Caldas.
    Gallery visitors near a reclaimed ipe wood sofa and cantilevered glass table, foreground, by Zanini de Zanine Caldas.
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  From left, Süfnex, 2004 and Stryyka, 2006, hard-edge paintings by Grant Wiggins, with prototype INOX Poltrona Moeda chairs by Zanini de Zanine Caldas. Photo courtesy Elko Weaver.
    From left, Süfnex, 2004 and Stryyka, 2006, hard-edge paintings by Grant Wiggins, with prototype INOX Poltrona Moeda chairs by Zanini de Zanine Caldas. Photo courtesy Elko Weaver.
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  Eodroon, 2005, an acrylic-on-canvas hard-edge painting by Grant Wiggins, at left, and an untitled oil-on-canvas painting by Jason Fitzmaurice, with a pair of 1950s green mohair tub chairs by Edward Wormley for Dunbar. Photo courtesy Elko Weaver.
    Eodroon, 2005, an acrylic-on-canvas hard-edge painting by Grant Wiggins, at left, and an untitled oil-on-canvas painting by Jason Fitzmaurice, with a pair of 1950s green mohair tub chairs by Edward Wormley for Dunbar. Photo courtesy Elko Weaver.
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  Untitled, 2009, oil on canvas, by Jason Fitzmaurice. Photo courtesy Elko Weaver.
    Untitled, 2009, oil on canvas, by Jason Fitzmaurice. Photo courtesy Elko Weaver.
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