san francisco

“The house was designed to complement the challenging triangular corner site and its context.” —George Bradley, architect.
“The house was designed to complement the challenging triangular corner site and its context.” —George Bradley, architect.
Tom Conrad and Kate Imbach’s first bedroom redo creates as many problems as it alleviated, blocking their view of Noe Valley behind a wall, for instance. Their second attempt, shown here, opened up the balcony, which has a Frame lounge by Francesco Rota for Paola Lenti. A Grand Repos chair by Antonio Citterio for Vitra faces the bed.
Tom Conrad and Kate Imbach’s first bedroom redo creates as many problems as it alleviated, blocking their view of Noe Valley behind a wall, for instance. Their second attempt, shown here, opened up the balcony, which has a Frame lounge by Francesco Rota for Paola Lenti. A Grand Repos chair by Antonio Citterio for Vitra faces the bed.
Scott MacFiggen and Regina Bustamante, tech industry veterans from Silicon Valley, called on architect Christi Azevedo to rebrand a fusty house in San Francisco’s Noe Valley, starting with the street view. Cedar boards, charred using the Japanese technique shou sugi ban, replaced plywood siding.
Scott MacFiggen and Regina Bustamante, tech industry veterans from Silicon Valley, called on architect Christi Azevedo to rebrand a fusty house in San Francisco’s Noe Valley, starting with the street view. Cedar boards, charred using the Japanese technique shou sugi ban, replaced plywood siding.
By eliminating the attic and carving out a former crawl space, Red Dot Studio created room for the residents’ bedrooms underneath the primary living areas. The slatted-hickory-and-glass bridge allows light from a row of skylights to penetrate deep into the lower level.
By eliminating the attic and carving out a former crawl space, Red Dot Studio created room for the residents’ bedrooms underneath the primary living areas. The slatted-hickory-and-glass bridge allows light from a row of skylights to penetrate deep into the lower level.
Because of the home’s historic designation, the team was limited in what they could change about the facade. They were allowed to repaint it, however, from baby blue to Gray Cloud by Benjamin Moore.
Because of the home’s historic designation, the team was limited in what they could change about the facade. They were allowed to repaint it, however, from baby blue to Gray Cloud by Benjamin Moore.

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