- Headed back to good old Europe this summer for some design-driven travel?
- Things commenced this morning under the gray skies again, though this time, instead of nattering about Zurich, we were off to the rural byways of Langenthal, a quaint little town reputed for its…
- Swiss-born architect Charles-Édouard Jeanneret, known as Le Corbusier, is one of the most venerated figures in the 20th-century canon.
- The locations may be far flung—from rural Missouri to Eglisau, Switzerland—the residents might be architects, families, or weekend warriors, but the constant is prefabrication in our…
- coolcapitals.com and Dwell teamed up for the second year in a row to bring you a "cool" design competition!
- Gallerist Martin Kudlek shows us that there’s more to Cologne than its cathedral.
- In addition to my tour of the Freitag factory in Zurich, a huge high point of my recent trip to Switzerland involved hopping over the border from Basel to 1 Charles-Eames-Strasse in Weil am Rhein,…
Charlotte Perriand (1903–1999), one of the most innovative interior and furniture designers of the 20th century, did not only strive towards a change in forms but also towards an improvement in social conditions. After the tubular steel furniture, which she developed particularly in partnership with Le Corbusier and Pierre Jeanneret, she preferred the natural material of wood with its free forms. At the same time her photography, which she approached in a radically modern way, became an impulse for her work. There followed grand stagings of magical objects found on beaches or in junkyards. Charlotte Perriand shared this interest for the poetry of “Art Brut” with Pierre Jeanneret and Fernand Léger, with whom she repeatedly worked. The opening of the archive now provides a longoverdue opportunity to rediscover this important pioneer as a furniture designer, as a photographer and—with her reconstructed large-format collages—as a socially committed woman.
The exhibition is on view unitl October 24th at the Musem of Design Zurich.