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Without ever having designed a building, photographer Julius Shulman forever shaped the way we see the mid-century architecture of Southern California. The City of Angels, styled and framed by Shulman, became, and remains, a testament to the modern movement. Some of the buildings endure and others have long been demolished, but they are forever preserved for posterity.

This monograph, which chronicles Shulman's work from the 1930s onward, contains iconic domestic shots—from Pierre Koenig's Case Study House 22 to John Lautner's Chemoshpere—that depict an impeccably picturesque tableau of, if not the way we lived then, the way of living Shulman wanted us to believe was real. However, there's also a wealth of lesser-known and never-before-published pictures that depict a different kind of town: dusty, deserted, largely in progress and under construction. The dichotomy is striking and shows the breadth of both the location and the man himself.

(left) Pigeon Hole Parking, Kenneth Lind, downtown Los Angeles, 1954. (right) Parking lot for the May Company department store, Los Angeles, 1953.

(left) Fern Drive School, Fullerton, 1956. (right) Obeying the modest dress code at the Convent of Good Shepherd gym, Los Angeles, 1955.

(left) Charles Eames's Herman Miller showroom in Los Angeles, 1950. (right) Jet age signage of Thrifty Drugs, A. C. Martin & Associates, Los Angeles, 1953.
Los Angeles: The Birth of A Modern Metropolis
By Julius Schulman
Rizzoli NY, $60
rizzoliusa.com
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