See What Develops
By keeping the budget strict, the insulation tight, and its values clear, Philadelphia’s Postgreen Homes shows a little brotherly love for green, urban housing.
Chad Ludeman is looking somewhat ruefully through the rain-flecked front windows of the 100K House. A pair of residences are going up across East Susquehanna Street in Philadelphia’s still-scrappy East Kensington neighborhood, where Chad, his wife, Courtney, and their development company, Postgreen Homes, are diligently developing a quartet of sustainable-housing projects—100K, Skinny, Passive, and 2 Point 5 Beta—all to be sold for less than $300,000.
Chad’s wariness is twofold: It’s that of an entrepreneur anxious to keep hold of his end of the market in a neighborhood Postgreen has laid claim to, and that of a Philadelphian who values small, green homes within reach of the young professionals (like him) otherwise priced out of owning in Center City. Thanks in part to the Ludemans, East Kensington might be the next frontier in the sprucing up of Philadelphia—but as the early construction across the street suggests, not everyone thinks as they do.
“In this recession, I think we’ve learned that housing values have very little to do with housing,” Chad observes. And though new development across the street and speckled across the surrounding blocks may bode well for Postgreen’s fortunes, Chad sets higher store by a house’s Home Energy Rating System (HERS) rating than its resale value.
The long, rectangular bottom floor is one uninterrupted space. Bikes live beneath the stairs, and the kitchen island is a center of activity. The dining table was made by Bench Dog Design and the Real Good chairs are by Blu Dot. An inexpensive fan by Emerson and exposed CFLs are smart, low-cost options for the ceiling.
The Ludemans moved into their debut creation, the 100K House, in 2009, using it as both a domicile and a test case. The project comprises a pair of adjacent, two-story homes clad in durable HardiePanel vertical siding that announces them as defiantly modern. What’s not visible from the street, though, is the 100K House’s LEED Platinum certification—
or its 2010 LEED for Homes Project of the Year award from the U.S. Green Building Council.
“Nobody’s doing much modern, small, and green development around here,” says Chad. “There have been some row-house renovations and rehabs, but
I think ours must be the first ground-up house built in East Kensington in the last 20 or so years.”
The novelty, and the success, of the Ludemans’ two-unit building (the 100K House is just one of the houses; the adjacent 120K cost a bit more to build) is due to its small size and devotion to green building practices, but the real selling point is that their 1,296-square-foot residence came in at just $81 per square foot in construction costs. The “100K” moniker comes from the house’s hard materials and construction costs (they actually ran closer to $105,000: $45,000 in materials and $60,000 more in labor), though the remaining soft costs like permits and architect’s fees brought the small residence in for around $200,000. The lot cost a mere $37,500 per unit, with $3,000 more in closing fees. East Kensington’s cache of cheap, vacant lots, proximity to the hip Fishtown neighborhood, and nearby public transit make it an ideal laboratory for inexpensive urbanity.
More adult playthings, like this pair of bikes live under the stairs, whose cutouts break up the plane of plywood and double as peepholes for kids at play.
“We had to hit the budget to prove that the concept could work,” says Phillips, noting that he treated his design process “more like industrial design than architecture.”
“As an architect you often collect information from your client and then imagine what kind of a house might meet those aspirations,” Phillips continues. “In this case we knew exactly what the aspirations were: $100 per square foot, LEED Silver [they hit Platinum as a “happy accident”], and a provocative design. Then we asked ourselves, Can a house really do that?”
It can, though getting there has as much to do with what Phillips calls “accepting less” as it does with budget-conscious construction. The perpetual question in the numerous iterations of the design was “If we do a little less, can that actually be cooler than [doing what people have come to expect, but] cheaping out on it?”
Doing less also meant consuming less. The 100K House is close to 70 percent more energy efficient than the older properties next door, thanks to heavy-duty insulation, tight-fitting windows, and serious attention paid to the home’s R rating. It’s a common theme in Postgreen’s projects: The Skinny Project down the block has a HERS rating of 23—Chad claims it’s the lowest in the city for a residence—and the Passive Project a few streets down is built to Germany’s highly efficient Passive House standards.
Concrete floors and an Ikea kitchen and spice rack make for an affordable, cleanly geometric aesthetic at the back of the bottom floor. The appliances are by Frigidaire, and the black countertops are sealed with Eco Tuff by Eco Procote.
Courtney adds that last winter, thanks in part to their solar thermal panels for heating hot water, their heating and hot water bill combined, in chilly Philadelphia, was never more than $70 per month. “We have no fights about the heat anymore.”
Another reason for that low energy bill is because Postgreen cast off a hoary developer orthodoxy: They nixed the third floor. “Some developers call the third floor ‘the money floor,’” Chad says. The jump in profit developers see in selling a three-story house, as opposed to a two-story house, is significantly relative to the cost of building that large master bedroom and en suite bath. “A lot of developers don’t want to sell at $250,000. They’d rather come in when they can get $450,000 or $500,000,” Chad explains. “We want to be able to deliver highly efficient homes to average working people. Efficiency and design should not only be for the wealthy, in our opinion.”
But for average working people to embrace Postgreen’s ethos, they must take Phillips’s ideas about accepting less to heart. The Ludemans’ home consists of two floors, the first little more than a concrete-floored rectangle housing a living space and the kitchen. Upstairs is Chad and Courtney’s modest bedroom, a small room for their son, Teague, and a bathroom that boasts the only door in the house. Bikes hang in plain view beneath the stairs; a small island with an induction cooktop separates the kitchen from the living space.
The home’s furnishings and fixtures are equally humble. A row of bare CFLs hangs from the ceiling of the living area, and the appliances in the kitchen are sturdy, efficient fare from Frigidaire.
The Ludemans, who brought little furniture with them to the 100K House, outfitted their new space for $7,500. The result is a tasteful curation of Ikea and CB2 goods peppered with an Eames rocker in Teague’s room, a Mag table and Perch lounge chair by Eric Pfeiffer for Offi (“That chair was a small splurge,” says Courtney, “but I lusted after it”), a dining table fabricated out of old reclaimed pine beams by Philadelphia’s Bench Dog Design, and a pair of custom barstools made by Kala Studios. The olive oil might well be the only object professing to be “Made in Italy.”
Teague plays in his Hiya crib from Spot on Square.
Ultimately, Postgreen’s notions of affordability extend beyond the line-item budget. They’re about finding a point of equilibrium between design and value, energy efficiency and attainable, middle-class housing and accessibility to downtown. “Until pretty recently, people imagined that the value of a home was tied to large square footage,” says Courtney, but Postgreen’s thinking—perpetually that of the citizen-developer—extends beyond what it takes to make a sustainable home to what it takes to make a sustainable East Kensington. Making a vibrant, green community means never losing sight of who does, and who could, live right next door.
The back-yard yields veggies and flowers, and another Postgreen project is under construction just beyond the fence. “The 100K House is not over the top in terms of energy efficiency. It’s better than code, sure, but ultimately it’s just what makes sense.” says Chad Ludeman.
To see more images of the project, please view the slideshow.
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Thank you for giving Postgreen some fair and well-deserved press. Homes that are affordable to buy, to own and in transit-friendly neighborhoods are more important than ever.
What is the brand of the white dresser?
So did it not have a third floor ao did they just not use it? who was the builder of this 100k home and how was it so cost effective?
I wasn't able to read everything I wanted to read, before the screen changed.
Anne, thanks for your comment. If you'd like to spend more time on a particular slide, you can click "Pause" right above the caption to stop the slideshow.
The painting opposite the couch is by artist Jon Olivieri, former Philly neighbor, now living & painting in CT. Sad to see that there is no attribution in the article.
Again, no mention Jon Olivieri, whose large blue painting makes this space vibrate.
Does anyone know where the (master bedroom) bed is from?
what is the material/brand of kitchen countertop?
what is the material/brand of kitchen countertop?
The bed in the master bedroom is from Bludot and the kitchen counter tops are made from paper stone. I'm the listing agent for the 120k (the larger corner house that's back yard is shown in the photo).
Paula, We did mention painter Jon Olivieri on the Sourcing page of the magazine, but you're right, there's nothing in the digital edition. Let us correct that: the blue painting in the living room is by Jon Olivieri; the paintings over the television are by Chris Clark.
Where is the rug and tree painting or decal from on page 93 in the nursery?? Great article!!
what color hardie board was used on pg 87,,,"see what develops " story line. I am thinking Light mist and Boothbay blue. Thanks for your help
Trying to incorporate a similar staircase, but our code calls for max opening of 4". Is yours the same?
to Jessica: The decal is from http://www.dalidecals.com If you click my name, it should link right to the Giant 8 foot Barren Tree which was featured in the nursery. :)
I was wondering specifically what hardware was used to hang the bikes under the stairs. Thanks
This development looks fantastic, congratulations to the Postgreen team. I hope you r readers feel inspired to try and replicate some of the features incorporated in this development in their own homes. It’s possible to go green by applying affordable measures in our existing houses. Personally, I feel we should all be thinking about how to become more energy efficient, lower our monthly utility bill and simultaneously strive to improve the comfort level of our homes, and hence our health and wellbeing. I’ve found the best action step towards this goal is to sign up for an energy assessment in order to get personalized advice from a qualified professional. In turns out that in some states these are actually FREE! My good friend Kate just went through the process and wrote about her experience and all that she got out of it: http://www.360chestnut.com/Living-at-360Chestnut/bid/75426/Living-at-360Chestnut-Kate-s-Energy-Audit
Great house, excellent article. Finally someone focusing on the cost per square foot without sacrificing design. Congratulations all...
Under the stairs looks like a great place to store a bike. However, I take issue with how you call them "adult playthings." It's certainly fun to ride a bike, but we need to get away from just thinking of them as toys. A bike is an extremely efficient mode of transportation.
@carfreepvd: In my opinion, it's likely that the 2nd reason why cars are clogging our urban lives is that they are fun (for the driver) when you take the commute out of their reason for being. Can a tool be useful (efficient even...) and fun at the same time? I *enjoy* driving my extremely efficient mode of transportation. Maybe I* want* to think of it as a plaything. Before I moved to an island in the middle of the ocean, i was a city boy that chose to bike, not out of necessity, but because I liked to bike.
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