Looking Inward
For Paul and Shoko Shozi, a pair of retiring Angelenos, the goal was to shut out the neighborhood but bring in the sunny skies. Their new prefab home, the Tatami House, designed by Swiss architect Roger Kurath of Design*21, makes a central courtyard the physical, and maybe even the spiritual, center of the home. On a fine Marina del Rey morning, Paul shows us around.
During our house hunt in and around Los Angeles, we discovered the Eichler homes in Granada Hills and in Orange County, many of which have a courtyard layout. At first we really wanted an Eichler, but it just did not work out. But after seeing a few we knew that we had to have a courtyard home. We’re pretty private, so it was important that we had a home that faced inward. We didn’t want to open our curtains or blinds and see the neighbors.
From the kitchen and living room you’re well connected to the courtyard and the rest of the house. The trim and accents are white oak; the kitchen is by Leicht.
We gave him a list of our wants during our first meetings. The top three were a courtyard, a nice office, and an open kitchen. The design actually didn’t change much from Roger’s original concept. Some walls were moved and bathroom layouts changed, but it is pretty much the same. Our courtyard is one of the most important elements of the house. It provides lots of natural light and constant views of the sky from the “public” spaces— the kitchen, dining room, living room, and office—around it. The courtyard also goes with the traditional Japanese concept of bringing the outside in.
Paul and Shoko stand on the ipe deck with their dog, Mei. “At first, we really wanted an Eichler, but it just did not work out. But after seeing a few we knew we had to have a courtyard home,” says Paul.
We elected to go for it to save time and money—though it took the builder longer than expected to set up the walls, extending construction time a lot. But going prefab did provide other important benefits: The concrete panels do a great job of blocking the sounds from the outside, we get great thermal benefits during the summer and the winter, and aesthetically, I’ve always liked the look of raw concrete.
Shoku enjoys cooking.
Since most of my time is spent working away at an office [in the design department of an entertainment firm], I only need a little desk at home. I’m a big movie watcher and video-game player so the master bedroom is my man-cave on the weekends. It’s one of the few rooms where I can close the door and turn up the speakers and not disturb my wife in the office.
We are slowly populating the house with the stuff we’ve collected over the years: Shoko’s extensive book collections, our old Polaroid cameras, locally handblown glass pieces that add some color around the house. We have little to nothing on the walls right now, but eventually we will find art or blow up some Polaroids. We’re taking a “slow-life” approach to decorating, putting things up at an easy pace and not stressing about having to fill a wall just because it’s blank.
The couple's collection of books, pottery, and carvings are displayed on built-in shelves in the office and hallways.
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A perfect example of "less is more" !
Regarding "Looking Forward" I am so intrigued by the concept of excluding the outside surroundings yet washing the entire interior with exterior light. It's a fabulous concept with especially good application possibilities in an increasingly urban environment. It also reminds me of a traditional Japanese house with perfectly manintained interior gardens. Love it.
Absolutely beautiful.
And, it looks defensible, too. The way the world is going, I think that's going to come in handy, alas.
While I applaud the starkness of the design and the "it looks like what it is" ethic, I'm somewhat taken aback by the exterior's sense of "fortress" - it exudes the antithesis of community. While acknowledging that a person's home is their castle, what are the chances that the residents are seen only when the garage door opens and a car either arrives or departs?
Beyond words....
Beautiful and simple. What are the shelves and desks made out of ? Where did you find them or are they custom? Thanks
Stunning room, my kind of simplicity. Just want to know who are the prints by? Thanks, Kathleen
Thank you for showing us this beautifully designed and decorated house. I echo Kathleen's question about the prints in the living room. Also, I'd like to know about the blue and white checked top Shoku is wearing. Is it available anywhere? I note from the article that she works with fabric. Does she have a company that sells her designs? Thank you. Mary
Where is the floor plan of this house?
Thanks for all the comments! Here are some answers. The front elevation is a bit of a "fortress" but we do see our neighbors very often when we take our dog out for her walks. Eventually we will have some plants to lighten it up a it. The desk and the office shelves are made by the window company. The shelves in the niches were made locally to match. The wood is white oak. The prints are a limited edition series by Lotta Jansdotter for the store Room and Board. http://www.jansdotter.com/ My wife's top is handmade, she is not selling anything right now. Dwell online also has a small article about my house blog please visit for the whole adventure. http://www.dwell.com/articles/three-great-house-blogs.html Our house blog: http://tatamihouse.blogspot.com/
Paul, where did you get the blue glass vase? It really adds to the room!
Chad, the blue glass vase is by the glass artist Caleb Siemon. http://calebsiemon.com
Love the white. Do you recall which white you chose? My husband and I are in the process of building a house and I think we might have gone a little too warm with the white we used. Maybe we can change it someday. Thank you
hi Laura, the color that used for this kitchen is Leicht Arctic White KG100. Best, Shimon Garibi LeichtUSA
Wow what a beautiful and thoughtful house! Is it possible to see the ground plan somewhere?
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