Design and architecture inspiration for modern homes from Dwell.

At Home in the Modern World

William Krisel

Palm Springs architect William Krisel entered the arena of architecture in the boom times that followed World War II and left in 1979 when the profession became “too uptight” as a result of lawyers and stricter building codes. During his illustrative career, Krisel, now 84 and still consulting, designed more than 30,000 homes throughout Southern California, including modern tract housing for the Alexander Construction Company as well as the House of Tomorrow, a futuristic house that later became the honeymoon home of Elvis and Priscilla Presley. Here we present an extended version of our June 2009 issue Q&A with Krisel.

Why did you become a licensed landscape architect in addition to an architect?

I think the architect should be in charge of everything. To me, the indoors and outdoors are not separate; a pane of glass is not a wall but a visual continuation of the indoors and the outdoors. I never practiced landscape architecture as a separate thing; I only did it on my own projects—just as I picked the textures and colors of materials, designed the furniture and light fixtures, and everything else that the architect used to do.

What outside your field inspires you?

Music—both my wife and I are very interested in music and our daughter is involved in opera—as well as art, painting, and traveling, but architecture is in everything I see, hear, or do. There’s no way I can evaluate outside interests except to relate them to architecture.

Is there a specific object that changed how you think about design?

I’ve always been told that the egg is something that can’t be improved upon. Giving it some thought, I agree.

What is your ideal project?

My ideal project is a tough challenge with a minimum budget and lots of conditions to be met. I like doing houses with a minimal square footage that have all the comforts of an expensive place; budgets and costs aren’t criteria for doing good design. Design is design, and it has nothing to do with dollars and cents.

Where do you hope architecture will be in 20 years?

I hope architecture will be known for architecture and not starchitects. Unfortunately the profession of architecture has been reduced to one tenth of what it used to be. Today you have landscape people for gardens, kitchen people for the kitchen, and so on, and all the architect does is provide the frame for people to hang their work on. All that work used to be done under just one person: the architect.

What would today’s House of Tomorrow look like?

Reimagining the House of Tomorrow is futile; all it encompasses is taking advantage of every new gadget, from the kitchen to the bathroom to the lighting. To me, going back to more functional, comfortable, smaller places is the real challenge.

How has architecture changed since you opened your firm in the 50s??

It was a far less legalistic world in the 1950s, and people had a much simpler life. In the 1970s, everyone expected perfection, and dentists, doctors, and even architects were getting sued for things that in the past people would just work out. Architecture became a very uptight profession, and it was not very fun because everything had to be approved by a lawyer, building codes became more complicated, and contractors became much more scared of their work. The ‘50s and ‘60s were the good old days when people enjoyed what they were doing.

Who in your field inspires you?

I was a great admirer of Frank Lloyd Wright and Marcel Breuer, as well as several Swedish and Norwegian designers; they inspired me to do what I wanted to do but in my own language. I constantly say, “I don’t have a style, I have a language.” I have a language. Frank Lloyd Wright had a language. He spoke his and then I made my own.

Twin Palms by William Krisel.

Is there anything you’d still like to design?

If I had one more project, I’d mix prefab with stick-built housing, do a study of how to take prefabricated components and create a great variety of house designs like what I did in Palm Springs with the Alexander Construction Company. All those had the same floor plans but different arrangements, which created totally different atmospheres. It’s a never-ending possibility of things you can do to keep making something different.

Twin Palms Plans and Elevation Drawings by William Krisel.

What advice do you have for young architects?

Design defensively. If you make a u-shaped house the first thing people will do is close it in because they already have the first three walls. Architects have to be careful not to give people that kind of opportunity.

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