Suburban Flight

It’s become an all-too-familiar scenario all across America: A city’s downtown, once a thriving place to live and work, has slowly withered and become decrepit.

It’s become an all-too-familiar scenario all across America: A city’s downtown, once a thriving place to live and work, has slowly withered and become decrepit. Middle-income families flee to the suburbs to settle in planned communities, city buildings fall into disrepair, and empty weed-filled lots proliferate. So when retired couple Peter and Joan Bracher decided to sell their brick-sided traditional colonial outside of Dayton, Ohio, and build a new home on an infill lot in the Fairgrounds neighborhood just south of the city center, it was a radical departure from the standard palm tree–seeking relocation of most retirees and a pioneering move in terms of the area’s recent urban-regeneration effort.

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George Nelson's book Tomorrow's House, classic Neutra homes, and the contemporary architecture from the sunny state of California's all provided inspiration for Peter Bracher's personal Genesis Project.


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The modern Bracher house stands out in the more traditional Fairgrounds neighborhood outside the Dayton, Ohio city center.


Peter, a self-professed amateur architecture critic who writes a column for the Dayton City Paper, had stumbled across projects by local architecture firm Rogero + Buckman Architects in his research forays downtown. Principals Mary Rogero and Barry Buckman were involved with the city’s Genesis Project, a partnership between local government and major institutions such as a university and a hospital to spiff up the neighborhood, and they had built a number of condos, live/work spaces, and cafés in the area. "I was impressed with their work using urban space and with their use of space and light," Peter explains of the couple’s choice of architects.
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There's no lush lawn on the grounds of this long and narrow house, but the Brachers still made room for some greenery.











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The Brachers spend large amounts of time lounging in their courtyard spaces, as Peter demonstrates. "Whatever room you're in on the first floor, you're looking at some type of garden. That was the whole idea of the project," the architect explains.









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Amara Holstein
A former editor at Dwell, Amara recently left the glamorous life of a magazine staffer to pursue her freelance writing dream. She has written for Sunset, Wallpaper*, the Architect’s Newspaper, VIA, and Apartment Therapy.

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